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MOMA’S DEEP DIVE IN THE ARCHITECTURE OF POST-COLONIAL NATION BUILDING
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DILLER SCOFIDIO + RENFRO’s FIRST HOME IN THE HAMPTONS
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MIXED SIGNALS: ON LAURA KURGAN’S YOU ARE HERE: INFORMATION DRIFT
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LUKE LIBERA MOORE’S GOD-CHUNK : CHRONO-PLEX
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ANNA UDDENBERG’S ECONOMY PLUS
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THE ARCO LIGHT TURNS 60
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A NEW ERA FOR CHEEKY DESIGN BRAND BD BARCELONA
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PIN–UP HOME DS-2011 HARLEQUIN, A NEW SOFA EDITION WITH DE SEDE
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THE PURE AESTHETIC PRESENCE OF SEOUL-BASED CAVA LIFE
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A BRIEF HISTORY OF FORTUNY
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LUSH TROPES: REEVALUATING TROPICAL ARCHITECTURE
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FARAH AL QASIMI’S LAST SLEEPOVER
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TWO ROBBERS, THREE BROTHERS, AND ALEX DA CORTE
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DOOR CODE
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FAITH, PLACE AND CHANCE: ROSE SALANE’S LOST OBJECTS FILL IN THE GAPS OF HISTORY
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THE BARBIE DREAMHOUSE
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A TRIBUTE TO VIRGIL ABLOH BY JAMES WINES
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75 YEARS AGAINST MODERNISM: ISA GENZKEN IN BERLIN
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ARTIST VERONICA GAIDO’S VISION OF THE CITY
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AN ABBREVIATED HISTORY OF DOMICIDE
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SAN DIEGO, AN AMERICAN EDGE CASE
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ROMAINE LETTUCE, E. COLI, AND THE ARIZONA DESERT’S ALL-AMERICAN CANAL
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DETROIT BAROQUE: ON CHRIS SCHANCK’S CORRODED MAJESTY
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SHELLS AND SKINS: THE BODY IS A HOME AT DEL VAZ PROJECTS
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LIMBO ACCRA’S CONSTRUCTIVE RUINS
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SICK ARCHITECTURE AND THE SPATIAL POLITICS OF DISEASE
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