INTERVIEW: Fraternal Architecture Duo Leong Leong EMBARK ON A NEW CHAPTER

By Felix Burrichter

ARE CHAIRS ART? A DESIGN DEBUTANTE DISCOVERS THE VERSATILITY OF SEATING

By Picasso Moore

INTERVIEW: Shumon Basar Talks “Age Of You” Exhibition And The Extreme Self

By Eva Munz

BALLANTINE’S AND NOKIA PHONES: Artist Paul Kopkau Explores Consumerist Desire And Despair

By Andrew Durbin

TIME FIGHTERS: BLACK QUANTUM FUTURISM AT THE CHICAGO ARCHITECTURE BIENNIAL

By Drew Zeiba

ART, DESIGN, ARCHITECTURE: The Lake Como Design Fair Does it All

By Andrew Ayers

INTERVIEW: ARTIST JIMMY ROBERT ON THE BODY, SPACE, AND POWER

By Harry Burke

HORIZONTALLY INCLINED: ONE DESIGNER SELECTS EIGHT ICONIC LOUNGE CHAIRS

By Leon Ransmeier

SEEING AND BEING SEEN: A Cinematic Diptyque Explores living online

By Drew Zeiba

THE NEW ESTABLISHMENT: A Talk About Architecture and Design Curating in the 21st Century

By PIN–UP

OBJECT MANOR: CHARLAP HYMAN & HERRERO’S TRIBUTE TO MARIO PRAZ

By Osman Can Yerebakan

“A CASTIGLIONI:” A Video Brings to Life A Retrospective of Italy’s Most Famous Designer

By PIN–UP

ONE NIGHT IN... The New TWA Hotel at JFK Airport

By Ian Volner

DESIGN STORY: Lamps On A Night Like This

By Matthieu Lavanchy

CRITICAL CONDITION: Interview With CCA Director Mirko Zardini

By George Kafka

INTERVIEW: Artist Livia Corona Benjamin Explores Architectural Traces of Rural Policy in Mexico

By Natalia Torija Nieto

PLEXI DEVIL: The Artist Raque Ford Claims Her Space Through Sculpture

By Paul Kopkau

BOOK CLUB: Arthur Elrod, Desert Decorator

By Arshy Azizi

WHITE MALE PROBLEM: A MoMA SALON ON INSTITUTIONAL INEQUALITY

By Jesse Seegers

HALL OF MIRRORS: Halston’s Rise and Fall and The Link to New York’s Olympic Tower

By Jeremy Lewis

EARLY ERGONOMICS: Designer Bill Stumpf and the Science of Sitting

By Leon Ransmeier

BLOOM: A Machine Elf’s Guide to Desert Flora

By Carlos Sáez

BAGHDAD DESERTED: Tales From A City That No LoNger Exists

By Noor Al-Samarrai

INTERVIEW: Architect Oana Stănescu Creates Vital Spaces That Bring People Together

By Pierre Alexandre de Looz

Architect Anne Holtrop Finds a New Lease on Life in the Desert

By Shumi Bose

DESIGN STORY: Textiles That Cover You Like Kisses

By Vincent Dilio

TRASH AESTHETICS: Mining the Debris of Post-Industrial America

By Tiffany Lambert

CALCULATED DISORDER: Carsten Höller Puts On A Delirious Show in Mexico

By Drew Zeiba

ERRATA: A Design Exhibition About Books and Mistakes

By Natalia Torija Nieto

Design Duo Messgewand Is Giving Furniture a French Twist

By Alice Bucknell

ENCOUNTERS: A First Guest Curated Show at Cristina Grajales Gallery

By Natalia Torija Nieto

VENICE 2019: The Rise of the Urban Biennale

By Vere van Gool

TRACES, ECHOES, SKINS: Heidi Bucher’s Meditations On Memory

By Drew Zeiba

MILANESE MAESTRO: Interview With Architect Umberto Riva on the Creative Power of Mistakes

By Hans Ulrich Obrist

BOOK CLUB: HERMAN MILLER, A WAY OF LIVING

By Jonathan Olivares

LIVE ACTION: Inventor Robert Propst and the History of the Modern Cubicle

By Leon Ransmeier

BACK TO THE ROOTS: Interview With Storefront’s New Chief Curator José Esparza Chong Cuy

By Drew Zeiba

MEMORY LANE: An Exhibition about Design, Childhood, and Nostalgia

By Pierre Alexandre de Looz

FROM DUBAI TO DUNE: SOME THOUGHTS ABOUT DESERTNESS

By Shumon Basar

Dreams of Modularity: Bernard Dubois’s Ligne 102

By Daniel Sherer

CHARLES AND RAY EAMES AND THEIR HISTORY OF PLYWOOD

By Leon Ransmeier

A Desert Fortress Artfully Fuses Vernaculars

By Drew Zeiba

INTERVIEW: Eric N. Mack, the New York Artist Who Paints with Textiles

By Mahfuz Sultan

COVER STORY: A Scenic Tour of Oman’s Route 31

By Natalie Shooter and Kuba Ryniewicz

PIN–UP 26 SPRING SUMMER 2019, THE DESERT ISSUE: Homes! Dreams! Hallucinogens!

By PIN–UP

IDEASCITY NEW ORLEANS: A State of Exuberant Hybridity

By Drew Zeiba

INTERVIEW: BERNARD DUBOIS ON HIS MODULAR FURNITURE SYSTEM Ligne 102

By Felix Burrichter

DIG: A VOYAGE INTO The Hand Dug Desert Caves of RA PAULETTE

By Mimi Zeiger

Every Object Tells A Story: Interview with Curator Alexandra Cunningham Cameron

By Drew Zeiba

INTERVIEW: JONATHAN OLIVARES ON DESIGNING HIS FIRST STORE AT ROCKEFELLER CENTER

By Felix Burrichter

Glenn Adamson’s Favorite Objects and Things

By Glenn Adamson

INTERVIEW: The Modern Phenomenon of Food Deserts and How to Fight Them

By Drew Zeiba

Jessi Reaves’s New Body of Work

By Tess Edmonson

THE SHED: The Morning After With Liz Diller

By Ian Volner

THE ANTHROPOCENE STYLE: Towards a New Decorative Reality

By Philippe Rahm

ROCK STARS: Chen Chen and Kai Williams’s new Mineral Explorations

By Drew Zeiba


BOOK CLUB: An Unfinished Encyclopedia of Scale Figures Without Architecture

By Stephen Froese

INTERVIEW: Frida Escobedo on Tiles, Skincare, and the Joys of Voyeurism

By Eva Munz

FULLY ENLARGE: The Sensory Bonanza of Designer Audrey Large

By Alice Bucknell

INTERVIEW: IdeasCity Curator Mitch McEwen on New Orleans and Fruitful Speculations

By Drew Zeiba

Remembering Norma Merrick Sklarek, an Architect of Many Firsts

By Natalia Torija Nieto

LAND ARTISTIC: Yorkshire Sculpture Park’s New Visitor Center by Feilden Fowles

By George Kafka

CONCRETE RESULTS: Arno Brandlhuber Transforms a Former Sicilian Police Station

By Stephen Froese

Decalogue: The Vision behind Visionnaire

By Felix Burrichter

ISLAND GLOW: Michael Anastassiades Makes a Big Show in Nicosia

By Andrew Ayers

INTERVIEW: “Daddy” Playwright Jeremy O. Harris On Beauty, Pools, and Trauma

By Felix Burrichter

TURNING TABLES: Filip Samuel Berg Honors Design’s Forgotten Typology

By Jeppe Ugelvig

The Wallet Interview: Elise By Olsen in Conversation with OMA’s Ippolito Pestellini Laparelli

By Elise By Olsen

MADRID DESIGN FESTIVAL 2019: FROM SPANISH GRANDEES TO THE BLACK MARKET

By Andrew Ayers

NEOFUTURIST CHASTITY: ABDU ALI’S MUSIC VIDEO AT SAARINEN’S NORTH CHRISTIAN CHURCH

By Whitney Mallett

INTERVIEW: Tezontle Studio Unearth Mexico’s Pre-Hispanic Past Through Architectural Abstraction

By Daniel Simon Ayat

Alessandro Mendini’s ODE TO MONUMENTALE CEMETERY in Milan

By Alessandro Mendini

INTERVIEW: New York Design Duo D’Aquino Monaco Tell All About 20 Years Of Teamwork

By Felix Burrichter

Architectural Follies: Totally Useless but Oh So Necessary

By Andrew Ayers

Artist Theaster Gates On Beetle-Damaged Ash Trees and Urban Catastrophe

By Whitney Mallett

F-Architecture and the Hymen Industrial Complex

By Annette Lin

VILLA EDSTRAND: A Quiet Model Home by Obscure Swedish Modernist Sigurd Lewerentz

By James Taylor-Foster

Drag Race, Lavin, Muschamp, and the Architectural Realness of Architecture At Large

By Jesse Seegers

The Marbled Approximations of the Artist Lauren Clay

By Drew Zeiba

BOOK CLUB: The Notional Architectures of Bodys Isek Kingelez

By Pierre Alexandre de Looz

HUTS FOR HANDS: Fragments of an It-Narrative in Nano

By Emma McCormick-Goodhart

Interview with Marie-José Van Hee, the Trailblazing Belgian Architect who shows no Signs of Slowing Down

By Alexandra Cunningham Cameron

Bolivian architect Freddy Mamani interpreted by Peruvian Artist Jonathan Castro

By Thom Bettridge

WELCOME TO THE SCROLLHOUSE

By Taylore Scarabelli

BUTTERED UP: The Playful Fixations of Design Duo BNAG

By Alice Bucknell

PARABOLOID PAD: YRJÖ KUKKAPURO’S UNUSUAL HELSINKI HOME

By Florencia Colombo

CATALOGUES OF DESIRE: An Ode to the Power of Miniatures

By Adam Charlap Hyman

SMALL VIOLENCES

By Drew Zeiba

FAMILIAR PATTERNS: The Origins of the Common Domestic Doily

By Eva Munz

The History of the Garage, from Frank Lloyd Wright, the Great Migration, to Modern-Day Suburbia

By Olivia Erlanger and Luis Ortega Govela

CHARLOTTE’S DARK WEB

By Micaela Durand

MATTER IS LIGHT: Getting Lost with Per Kirkeby at Château La Coste

By Andrew Ayers

boolProp testingcheats enabled true, or: The Critical Dollhouse

By Jeppe Ugelvig

PIN–UP EXCLUSIVE: Skype William’s “HOME” Mix For The New Year

By Skype Williams

NOTES ON A SCANDAL: Interview with Kimberli Meyer, Former Director of Long Beach’s University Art Museum

By Mimi Zeiger

The Visual Mixtapes of Michael Dayton Hermann Tap Into the Collective Media Memory Space

By Drew Zeiba

DESIGN STORY: Home Invasion

By Vincent Dilio

OFF SEASON: A Short Film About Ceramics and the Halcyon Days of Summer

By Valentina Cameranesi

BOYFRIEND MATERIAL: A Studio Visit with Thomas Barger

By Efe Ramirez

INTERVIEW WITH FUNCTIONAL ART CO-FOUNDERS JAVIER PERES and BENOÎT WOLFROM

By Felix Burrichter

OPEN SOURCE DESIGN: The chairs of Oscar Hagerman

By Natalia Torija Nieto

DIOR IN DENVER: Not Your Average OMA

By Whitney Mallett

KNOT APPROPRIATE: Artist Christen Mooney’s “Tapestries” Explore Issues of Appropriation and Fetishization

By Elliott Jerome Brown Jr.

Real Estate Collages by the artist Camiel Duytschaever and the Strangeness of the American Interior

By Drew Zeiba

ABMB AL FRESCO: A Miami Dinner experience with Telfar, PIN–UP, and Swiss Institute

By PIN–UP

MOUNTAIN FOLLY: A Tricked Out Chalet By Caruso St. John

By Rowan Moore

SHAPED BY CULTURE: Ceramicist Zizipho Poswa Embraces the Past Through Large Scale Works

By Tracy Lynn Chemaly

Interview: Jacolby Satterwhite on How Video Games, Art History, and Sleep Deprivation Inspire His 3D Interiors

By Michael Bullock

FOLKS ON CHAIRS: African-American Home Life As Seen Through the Lens of Art

By Tiana Webb Evans

STACKED UP: LOT-EK’s New Container Housing In Johannesburg

By Tracy Lynn Chemaly

EXHIBITION REVIEW: 44 Low Resolution Houses

By Michaela Friedberg and Carly Richman

BREAKING NEWS: PIN–UP 25, THE HOME ISSUE, IS OUT NOW. READ THE LETTER FROM THE EDITOR AND WATCH THE VIDEO

By PIN–UP

100 Years of Castiglioni: His Geologist Daughter Digs Into the Designer’s Layered Legacy

By Felix Burrichter

DESIGN STORY: TELFAR LOUNGE

By Thomas Albdorf

BOOK CLUB: Rene Gonzalez Architects, Not Lost in Translation

By Sean Santiago

INTERVIEW with MARTHA ROSLER, The Artist Who Speaks Softly but Carries a Big Shtick

By Stephanie Murg

INTERVIEW: The Brothers Grau Make New Lights With No Strings Attached

By Felix Burrichter

BERLIN CHINA: Marguerite Friedlaender’s Famous Porcelain Vase Reinterpreted by Five Contemporary Artists

By Kevin Greenberg

SUBURBICIDE: Remote Drone Warfare, Mental Health, and the Suburban American Dream

By Nicholas Korody

FAKE FASHION: CFGNY’s State-sponsored Bootleg Runway Show Questions Ideas of Identity and Race

By Andrew Pasquier

VIDEO: A New Perspective On Luigi Caccia Dominioni

By PIN–UP

BRASSY: A New Essential Oil Burner for Burning Essential Oils

By Natalia Torija Nieto

STAGE FREIGHT: Discussing the 3D Visuals for Drake’s Scorpion Tour

By Felix Burrichter

Interview With Carla Juaçaba, Brazilian Architect and Former Pianist

By Karen Wong

An EDUCATIONAL U-TURN: Review of the 2018 Istanbul Design Biennial

By Jeppe Ugelvig

Piano Non Forte: The Work of Renzo Piano Building Workshop at The Royal Academy

By George Kafka

INTERVIEW: Fashion's Set Designer Alexandre De Betak on How His Daydreams Become Reality

By Pierre Alexandre de Looz

THE CACCIA EFFECT: Milan’s Hidden Master of Design and Architecture

By Daniel Sherer

Interview: The Brave New World of Autistic ARCHITECTURAL Artist William Scott

By Michael Bullock

YUGOTOPIA: The Glory Days of Yugoslav Architecture On Display

By David Huber

Interview with Jay Ezra, Co-Founder of ANNEX Gallery in Los Angeles

By Drew Zeiba

SPRAWLING ESTATES: Two Architecture Documentaries tackle the Suburban Question

By Sean Santiago

ECCE HOMO: In Venice An Exhibition Hopes to save Europe through Craftsmen

By Andrew Ayers

A 35mm Throwback to Storefront’S 24 X 24 X 24 Summer Solstice

By Antwan Duncan

SWISS CONGENIALITY: Interview with Annabelle Selldorf and Swiss Institute director Simon Castets

By Felix Burrichter

GREEK RUINS: Proud Olympic Vestiges From a Pre-crash Era

By Christopher Turner

ESSAY: The Eternal Return of the Primitive Hut

By Shumon Basar

GRIME AND ARCHITECTURE: Wot Do U Call It? Urban?

By George Kafka

Arno Brandlhuber’s Concrete Retreat in Rocha, Uruguay

By Stephen Froese

REVIEW: READYMADES BELONG TO EVERYONE at New York’s Swiss Institute

By Drew Zeiba

A Short History of the Mirrored Glass Façade

By Ouida Angelica Biddle

SKIN IS IN: Celebrating Diversity with “NUDE” Towels and Unisex Swimwear

By Whitney Mallett

BEIRUT DIARY: Three Days With The Architect Raed Abillama

By Pierre Alexandre de Looz

INTERVIEW with Artist Suki Seokyeong Kang about Shape, Form, Weight, And Space

By Jeppe Ugelvig

The Art of Daniel Boudinet, or the City at Cibachrome Cruising Speed

By Andrew Ayers

INTERVIEW: Odile Decq on Risk-taking, Rule Bending, and Gender Constraints

By Aurélien Gillier

Donald Judd’s Very Specific Furniture

By Natalia Torija Nieto

INTERVIEW: The Artist Joep van Lieshout about Utopia, Dystopia, and HIS DESIGN FOR A NEW CHAISE LONGUE

By Drew Zeiba

The Fine Print of Ikko Tanake and Issey Miyake

By Jeremy Lewis

Model Redux at BronxArt­Space: Reviving the Participatory Community

By Vivien Lee

DESIGN STORY: Home Jewelry

By Vincent Dilio

ASMARA: Colonial Modernism in North-East Africa

By David Rifkind

THE PIN–UP QUOTE: Amanda Levete

REBUS PLAY: A Book Of Visual Puzzles By Artist Bela Borsodi

By Felix Burrichter

MEAT MARKET MEMORIES: Paul Haacke on Growing Up Alongside the Hudson River Piers

By Paul Haacke

BOOK CLUB: Snarkitecture, Architecture’s Excavation Artists

By Stephanie Murg

ENTIRELY OF THE MIND: The Drawings of Pezo von Ellrichs­hausen

By Daniel Sherer

BASEL 2018: A selective review of Barns, Bars, and other Sensations

By Jennifer Piejko

Amateur Hour: Studio Visit With Sigve Knutson

By Sean Santiago

PARIS PREMIERE: An Architect’s Diary of Virgil Abloh’s First Louis Vuitton Show

By James Taylor-Foster

HOUSE OF FLUX: David Chipperfield’s New SSENSE Flagship in Montreal

By Daniel Simon Ayat

Bookworm And Architect Amanda Levete’s Summer Must Reads

By Peter Smisek

BEDTIME STORY: A Phantasmagoria by Carlos Saez

By Carlos Sáez

LIMITED EDITION COVER: The Designer of the 2018 Serpentine Pavilion, Frida Escobedo

By Eva Munz

A DESIGN LOVER’S LISTICLE: R&Company’s Nine Favorite Shows from the Past 20 Years

By PIN–UP

COS PLAY: Karin Gustafsson and the Soft Power of Art and Architecture

By Natalia Torija Nieto

URBAN JUNGLE: The FORD FOUNDATION by Roche Dinkeloo

By David Benjamin Sherry

TIME WELL SPENT: A Review of Frida Escobedo’s Serpentine Pavilion

By George Kafka

ROMAN RUINS: Post-war Architecture in the Italian Capital

By David Plaisant

A WEAK MONUMENT: THE ESTONIAN PAVILION AT THE 2018 VENICE BIENNALE

By James Taylor-Foster

BLACK FOREST BABYLON: AN Otherworldly Dinner Party In Los Angeles

By Katya Tylevich

Peggy Guggenheim, Inadvertent Patron Of Avant-garde Architecture

By David Michon

PIN–UP A VENEZIA: CELEBRATING THE 2018 VENICE ARCHITECTURE BIENNALE

By PIN–UP

COACHELLA THROWBACK: The Festival’s Art of the Desert Folly

By Janelle Zara

A Holistic Winery at the Foot of the Andes in Chile

By Horacio Silva

FREE ROAMING: A Review of the 2018 Venice Biennale

By Jordan Hruska

BOOK CLUB: Grafton Architects and the Craft of Making Space

By Kevin Greenberg

Dozie Kanu and Jonathan Olivares in Conversation

By Ian Markell

WELCOME TO PANTONIA: A CINEMATIC HOMAGE TO THE PANTON CHAIR

By PIN–UP

DEUTSCHE SWANK: AN EXHIBITION ON 1980s GERMAN AVANT-GARDE DESIGN

By Stephanie Murg

YEEZY STUDIO, CALABASAS: UTOPIA IN AN OFFICE PARK

By Mimi Zeiger

WET MAGAZINE: Bathing to the Next Level

By Tiffany Lambert

MENTAL FURNITURE: The Gray Zone Between Functional Sculpture and Nonfunctional Design

By Marc Matchak

Interview with Robert Yang, Designer of 3D Fantasy Sex Spaces

By Drew Zeiba

PIN–UP X VITRA: CELEBRATING NEW YORK DESIGN WEEK WITH ROBERT STADLER, VERNER PANTON, AND DESE ESCOBAR

STOCK OPTIONS: A Taxonomy of Construction Materials Turned Into Architectural Portraits

By Laida Aguirre

The Hybrid Preternatural Works of Anna Uddenberg

By Alex Bennett

PORTRAIT: MEET MARY CERUTI, DIRECTOR OF NEW YORK’S SCULPTURE CENTER

By Jeppe Ugelvig

BOOK CLUB: Reinier de Graaf, Four Walls and a Roof: The Complex Nature of a Simple Profession

By Andrew Ayers

THE MIND-BOGGLING ARCHITECTURE AND LANDSCAPES OF LANZAROTE, PHOTOGRAPHED BY PHILIPPE JARRIGEON

By MAIO Architects

THE PIN–UP QUOTE: ALEXANDRE DE BETAK

PIN–UP 24, THE MENTAL ISSUE: AN ANNOUNCEMENT AND A LETTER FROM THE EDITOR

MACHINES FOR DANCING: Club Design and the Evolution of Desire, Seduction, and Utopia

By Tamar Shafrir

PHILIPPE RAHM’S HOLISTIC DECOR IN THE AGE OF CLIMATE CHANGE

By Alex Tieghi-Walker

The Baroque Bitchiness of Pablo Bronstein

By Alice Bucknell

Jonathan Olivares Gets His Rocks Off With a BRAND NEW Fabric Collection

By Jonathan Olivares

DRAWN TO LIFE: The Early Work of Arakawa and Gins

By Nolan Boomer

POWER TOPS: Couches and Top Models

By Zachary Rose

VILLA DORANE: Ettore Sottsass Brings A Frisky Moment to the South Of France

By Johnny Graf

BUSH ERA: Finding Solace in the Australian Outback

By Stephen Todd

POSTER POLITICS: An Exhibition About Graphic Design and Political Activism


By George Kafka

THE PERFECT CUBE: Matt Tyrnauer Remembers Gore Vidal’s La Rondinaia

By Matt Tyrnauer

CLOUD FORMATIONS: Climate Change, Diaspora Theory, and the Internet

By Carson Chan

LIFE CYCLE: A Coming of Age via Fashion

By Tamar Shafrir

A Stream of Consciousness “On Water”

By Pierre Alexandre De Looz

STREET RELIEF: The Unique Story of Paris’s Public Urinals

By Andrew Ayers

INTERVIEW: Rich Mnisi Talks About His Furniture Collection Inspired By His Great Grandmother

By Tracy Lynn Chemaly

ARCHIVO MEXICO: Interview With Mario Ballesteros on Rescuing Mexico's Architectural Heritage

By Vivien Lee

THE PIN–UP QUOTE: Eyal Weizman

HEAD TO TOE: Finding Comfort in a Bed Made for Feet

By Alix Browne

CHRIS SCHANCK, INVENTOR OF ALUFOIL, PAYS HOMAGE TO THE GARDENS OF DETROIT’S BANGLATOWN IN HIS FIRST SOLO SHOW

By Michael Bullock

POOL POLITICS: An Exhibition About the Architecture of Private Pools

By Andrew Ayers

WAKE UP CALL: Architectural Comfort in the Age of Passivity

By Pol Esteve

THE PIN–UP QUOTE: Eva Franch i Gilabert

KITCHEN MIXERS, MANOLOS, AND MORE: THE INAUGURAL MADRID DESIGN FESTIVAL

By Andrew Ayers

DESIGN STORY: ALL OF THE LIGHTS

By Philippe Jarrigeon

PILLOW TALK: THE BED AS A PALIMPSEST FOR THE PSYCHE

By Evan Moffitt

INTERVIEW WITH DEBORAH BERKE, THE QUIET QUEEN OF ADAPTIVE REUSE

By Felix Burrichter

REPARATION HARDWARE: ILANA HARRIS-BABOU’S TAKE ON THE AMERICAN DREAM

By Drew Zeiba

SCENTS AND SENSIBILITY: RUMINATIONS ON PERFUME’S POLARIZING NATURE

By Gerlan Marcel

BORDER CROSSING: THE EXCHANGE OF ARCHITECTURAL IDEAS BETWEEN CALIFORNIA AND MEXICO

By Arshy Azizi

DESIGN LOBBYISTS: BLESS AND THEIR SPECIAL TAKE ON FURNITURE

By Gregor Quack

ARTIST FRANCESCO VEZZOLI CREATES LIMITED EDITION COVER FEATURING CRYING LIZ DILLER

By Andrew Ayers

CALL OF THE ALPS: NOMAD, A COLLECTIBLE DESIGN FAIR IN ST. MORITZ

By Dan Thawley

INTERVIEW: Architect Julien de Smedt on the Value of the Unbuilt

By Felix Burrichter

WHEN ARCHITECTS DESIGN FOR THE HOME: Two Current Exhibitions Take Stock

By Tiffany Lambert

PIN–UP POOL PARTY: HOMAGE TO THE ARCHITECTURE OF DOMESTIC POOLS

By Anthony Valdez

PIN–UP EXCLUSIVE: HONEY DIJON’S VALENTINE’S DAY INSERTION MIX

By Honey Dijon

GHOST ON THE HIGHWAY: ALLAN D’ARCANGELO’S HAUNTING AMERICANA

By Alice Bucknell

IMITATION OF LIVES: A PERFORMANCE BY ARTIST JIMMY ROBERT AT THE PHILIP JOHNSON GLASS HOUSE

By Jon Wang

THE PIN–UP QUOTE: Nanu Al-Hamad

INTERVIEW WITH SCULPTOR SARA FLYNN ABOUT HER PORCELAIN FRIENDS

By Felix Burrichter

THE MASTER AND FORM: Brendan Fernandes’ Exploration of Space, People, and Power

By Sean Santiago

BEACHED GOODS: Marc Hundley’s Water Island Inspired Designs

By Alex Hawgood

THE “QUIETLY KINKY” ART OF HANNAH LEVY

By Whitney Mallett

Jeanne Gang: A Midwestern ARCHITECT Who Is Taking the World By Storm

By Michael Bullock

CHARLES HOLLIS JONES, THE INCREDIBLE MISTER LUCITE

By Michael Bullock

BOOK CLUB: SCRIPT OF DEMOLITION

By Stephen Froese

S H U I: Chinatown’s First Queer Spa

By Tess Edmonson

THE PIN–UP QUOTE: KELLER EASTERLING

ROBIN MIDDLETON’S REMARKABLE EAST VILLAGE HAVEN FOR BOOKS

By Pierre Alexandre de Looz

WINTER COZY: PERFORMANCES AND FURNITURE AT AMERICAN MEDIUM

By Whitney Mallett

2017: ANOTHER YEAR OF BIENNIAL FEVER

By Andrew Ayers

SPACE HIGH: THE SUPERSENSORY SOUND ART OF HAROON MIRZA

By Alice Bucknell

CHALET DE CHARME: UGO RONDINONE AND JOHN GIORNO’S ALPINE REFUGE

By Aoïfe Rosenmeyer

THE PIN–UP QUOTE: IRIS VAN HERPEN

EIGHT CREATIVES TALK ABOUT THE PARADOX OF COMFORT

By PIN–UP

FORENSIC ARCHITECTURE: AN INTERVIEW WITH EYAL WEIZMAN

By Andrew Ayers

CRAFT CATCH UP: NORWEGIAN ARTISTS ELLEN GRIEG AND ELISABETH VON KROGH

By Whitney Mallett

BOOK CLUB: JONATHAN OLIVARES - SELECTED WORKS

By Drew Zeiba

HOW WE LIVE TOMORROW: A POSSIBLE ANTHOLOGY IN FIVE CHAPTERS

By Martti Kalliala

THE PIN–UP QUOTE: LIZ DILLER

REI REI: A Meeting of the Minds (and Body)

By Sean Santiago

PIN–UP PREMIERE: SO–IL’s L’AIR POUR L’AIR (WITH ARTIST Ana Prvački)

By Solid Objectives

FIELD EXPERIMENTS: HARDLY TOGETHER

By Drew Zeiba

THE PIN–UP QUOTE: KONSTANTIN GRCIC

PILE UP: The Fantastic World of Misha Kahn

By Natalia Torija Nieto

BOOK CLUB: The Architecture of Neoliberalism / How Contemporary Architecture Became an Instrument of Control and Compliance

By Maxwell Donnewald

NOMADIC COMFORT: AT HOME WITH ARTISTS SLAVS AND TATARS

By Johann Clausen

HOT WING: The New Architecture and Design Gallery at the Art Institute of Chicago

By Maxwell Donnewald

STORIED MOMENT: INSIDE THE HOME OF THE LATE MICHAEL GRAVES

By Kevin Greenberg

OFF THE CHART: INTERVIEW WITH JOA STUDHOLME OF FARROW & BALL

By Pierre A. M’Pelé

TOILET ARCHITECTURE: AN ESSAY ABOUT THE MOST PSYCHOSEXUALLY CHARGED ROOM IN A BUILDING

By Beatriz Colomina and Mark Wigley

LADY BEARS: INTERVIEW WITH THE MAKERS OF THE PIN–UP MAHARAM BEARS

By Felix Burrichter

PIN–UP 23, THE COMFORT ISSUE: LETTER FROM THE EDITOR

By Felix Burrichter

WARD BENNETT X PIN–UP: A SPECIAL VIDEO TRIBUTE

By PIN–UP

DESIGN STORY: COUCH POTATO

By Vincent Dilio

WE GOT BEARS: A SPECIAL COLLABORATION BETWEEN PIN–UP AND MAHARAM

By PIN–UP

SINGULAR MOMENT: A FIFTH AVENUE APARTMENT DESIGNED BY WARD BENNETT

By Adrian Gaut

BOOK CLUB: WARD BENNETT

By Tiffany Lambert

INTERVIEW WITH ARTIST DEBI CORNWALL ABOUT HER WORK IN GUANTANaMO BAY AND THE CONCEPT OF COMFORT IN CAPTIVITY

By Drew Zeiba

FREE RADICAL: INTERVIEW WITH CURATOR MARIA CRISTINA DIDERO ABOUT RADICAL DESIGN

By Felix Burrichter

CONVERSATION PIECES: FOSTERING DESIGN IN COLUMBUS, INDIANA

By Whitney Mallett

LOVELAND: SOUTH KOREA’S NSFW PLEASURE PARK

By Tiffany Lambert

THE LEGACY OF FLORENCE KNOLL: Interview With Creative Director Dorothy Cosonas

By Natalia Torija Nieto

BOOK CLUB: El Internacional (1984–1986): New York’s Archaeological Sandwich

By Natalia Torija Nieto

POM-POM-PIDOU: FRANCESCO VEZZOLI REVERTS THE LEGENDARY PARISIAN MUSEUM INTO A FUN PALACE

By Andrew Ayers

BOOK CLUB: RAFAEL DE CÁRDENAS / ARCHITECTURE AT LARGE

By Jeppe Ugelvig

THE ALPINE NETHERWORLD OF H.r. Giger

By Alex Moshakis

CITY WRITER: INTERVIEW WITH VISUAL POET RENEE GLADMAN

By Drew Zeiba

MARTINO GAMPER LOVES A GOOD JOINT

By Becky Sunshine

3D PRIMITIVE: HOW TO REINVENT THE FUTURE THROUGH MEDIOCRITY

By Alessandro Bava

The PIN–UP QUOTE: JULIUS SHULMAN

THE ARTIST EKTOR GARCIA SUBMITS TO NEVER BEING SATISFIED

By Sean Santiago

THE METROPOLITAN OPERA CLUB: AN INTERVIEW WITH MEMBER DAVID BEER

By Elizabeth Beer

FAIR REVIEW: RECENT IMPRESSIONS FROM CHICAGO

By Jennifer Piejko

A SCULPTURAL FIFTH AVENUE PIED-A-TERRE STANDS THE TEST OF TIME

By Julie Klein

DARK ROOMS: SEX RIGOROUSLY DRAFTED INTO ARCHITECTURAL SERVICE

By Pierre Alexandre de Looz

ON FIRE: THE GRILL HOUSE ARCHITECTURE OF CROATIA

By David Huber

Book Club: Donald Judd Writings

By Maxwell Donnewald

WRAP STAR: THE UNUSUAL FASHIONS OF ADELINE ANDRÉ

By Andrew Ayers

INTERVIEW WITH JAN DE VYLDER on his underground wine bar in matera

By Andrew Ayers

GIRL ALOUD: INTERVIEW WITH THE DESIGNER KATIE STOUT IN HER BROOKLYN STUDIO

By Natalia Torija Nieto

MODERN RUINS: AN ARTIST’S TAKE ON MOSHE SAFDIE’S PUERTO RICAN FOREST HABITAT

By David Hartt

THE FEMALE GLAZE: Valentina Cameranesi’s CERAMICS IN TOULON

By Matylda Krzykowski

PIN–UP’s NEW LOOK FOR THE CHICAGO BIENNIAL

Enoteca Dai Tosi: A TROGLODYTIC WINE BAR BY De Vylder Vinck Taillieu

By Andrew Ayers

OVER LOTUSLAND: A BIRD’S EYE VIEW OF GANNA WALSKA’S MASTERPIECE

By Ouida Angelica Biddle

AT HOME WITH ART COLLECTOR VALERIA NAPOLEONE

By Julia Trotta

BOOK CLUB: HIGH-RISE

By Whitney Mallett

A PERSONAL TRIBUTE TO THE LATE ZAHA HADID

By Pierre Alexandre de Looz

NEW POWER GENERATION: ADAM FRAMPTON OF ONLY IF

By Paul Keskeys

SEVERAL SEATS: The Chairs of Peter Opsvik

By Alexandra Alexa

THE PIN–UP QUOTE: AMALE ANDRAOS

AN ILLUSTRATED ODE TO THE ARCHITECT’S DOODLE

By Jean-Philippe Delhomme

NEW POWER GENERATION: BRITTANY HART AND JUSTIN CAPUCO OF HUSBAND WIFE

By Paul Keskeys

NEW POWER GENERATION: EZE IMADE ERIBO

By Paul Keskeys

NEW POWER GENERATION: BRYAN YOUNG OF YOUNG PROJECTS

By Ian Volner

NEW POWER GENERATION: RYAN KING AND KATYA ZAVYALOVA OF FOAM

By Ian Volner

NEW POWER GENERATION: BÜRO KORAY DUMAN

By Paul Keskeys

ARE WE HUMAN?: A VISIT TO THE ISTANBUL BIENNALE

By Shumi Bose

THE PIN–UP QUOTE: JON RAFMAN

NEW POWER GENERATION: OANA STANESCU AND DONG-PING WONG OF FAMILY

By Ian Volner

THE NEW WORLD OF LINA BO BARDI: HOMAGE TO ONE OF BRAZIL’S MOST IMPORTANT ARCHITECTS

By Ouida Angelica Biddle

NEW POWER GENERATION: KEVIN GREENBERG OF SPACE EXPLORATION

By Paul Keskeys

NEW POWER GENERATION: CHARLAP HYMAN & HERRERO

By Ian Volner

IN TRANSIT: A VISIT TO THE OSLO ARCHITECTURE TRIENNALE

By Andrew Ayers

A FORMAL OCCASION: THE LISBON ARCHITECTURE TRIENNALE

By Andrew Ayers

FIVE HIGHLIGHTS FROM BEIJING DESIGN WEEK

By Amy Qin

BACK IN BUSINESS: A COTERIE OF OFFICE CHAIRS

COLLISION–COALESCE: A FILM AT THE PHILIP JOHNSON GLASS HOUSE

By Jonathan Turner

POWER PLAY: ON GUSTAVO VINAGRE’S HYBRID ART-PORNO NOVA DUBAI

By Drew Zeiba

DOWN LOW: PLANNING AN UNDERGROUND PARK IN NEW YORK CITY

By Tiffany Lambert

ARCH CREEP: CONSIDERING 30 YEARS OF MUSICIAN MOMUS

By Lyndsy Welgos

INTERVIEW WITH DAVID ADJAYE ABOUT THE NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY AND CULTURE

By Andrew Ayers

CONCRETE POETRY: REVIVING EDWARD JAMES’S SURREALIST MEXICAN ESCAPE

By Mario Ballesteros

THE PIN–UP QUOTE: ELIAS SIME

PROGRESSLAND: A DESIGN EXHIBITION CHALLENGES NARRATIVES OF HUMAN ADVANCEMENT

By Natalia Torija Nieto

SEASONS GREETING: REIMAGINING THE ART OF IKEBANA

By Naho Kubota

FOUR TYPOLOGIES OF GARDENS

By Tom Hancocks

HIDDEN PLEASURES: AN EXHIBITION UNCOVERS BARRY DIERKS’S VILLA LA REINE JEANNE

By Andrew Ayers

THE PIN–UP QUOTE: INDIA MAHDAVI

INTERVIEW WITH KELLER EASTERLING ABOUT INFRASTRUCTURE AS LANDSCAPE

By Jesse Seegers

DESIGN COLUMN #4: AMIE SIEGEL AND JUDDMENT DAY

By Pepa Shores

THE PIN–UP QUOTE: BJARKE INGELS

LIFE IN RUINS: BAS PRINCEN AND OFFICE KGDVS’S MODEL FOR A PAVILION

By Jesús Vassallo

BOX CUT: THE GEOMETRIC GARDENS OF MARQUEYSSAC

By Andrew Ayers

BOOK CLUB: WE DON’T EMBROIDER CUSHIONS HERE

By Whitney Mallett

DESIGN STORY: TEXTILE TAKEOVER

By Vincent Dilio

FREE FORM: THE ORGANIC ARCHITECTURE OF JAVIER SENOSIAIN

By Mario Ballesteros

THE PIN–UP QUOTE: ANNE HOLTROP

LIVING LANDSCAPES: A SECTIONAL SOFA DESIGN STORY

By Carlo Hunbrach and Prashast Thapan

BLOOM BOX: INTERVIEW WITH FLORAL ARTIST BRITTANY ASCH

By Natalia Torija Nieto

VASE ACE: INTERVIEW WITH ARCHITECT- DESIGNER BERNARD DUBOIS

By Natalia Torija Nieto

DESIGN COLUMN #3: THE AUSTIN HOUSE IN HARTFORD, CT

By Pepa Shores

MODERN LIVING: A PERFORMANCE INSPIRED BY AVANT-GARDE COHABITATION IN THE SCHINDLER HOUSE

By Jennifer Piejko

THE PIN–UP QUOTE: WENDY GOODMAN

PIN–UP AND SHUI TEAM UP FOR A WET RELEASE PARTY

FLESH FOR FANTASY: RECOVERING PIERO FORNASETTI’S EROTIC OEUVRE

By Tiffany Lambert

BOOK CLUB: IMAGES OF THE BODY IN ARCHITECTURE: ANTHROPOLOGY AND BUILT SPACE

By Alexandra Alexa

UNCANNY VALLEY: CONSIDERING LATE-CAPITALIST TECH AESTHETICS

By Jesse Seegers

THE PIN–UP QUOTE: MOS ARCHITECTS

HALL OF MIRRORS: AT HOME WITH TRIX AND ROBERT HAUSSMANN

By Gabrielle Schaad

SOFT BAROQUE’S FURNITURE DESIGNS BLUR THE PHYSICAL AND DIGITAL

By Jill Singer

BOOK CLUB: BARKOW LEIBINGER SPIELRAUM

By Douglas Boatwright

THE PIN–UP QUOTE: IPPOLITO PESTELLINI LAPARELLI

CARMEN HERRERA, “FEMALE GENIUS”

By Linda Yablonsky

AVERY SINGER, “FEMALE GENIUS”

By Tess Edmonson

KAARI UPSON, “FEMALE GENIUS”

By Katya Tylevich

THE REAL STATE OF ISTANBUL: SERDAR BILGILI BELIEVES IN THE TRANSFORMATIVE POWER OF ART (AND BUSINESS)

By Sean Santiago

AMBASSADOR GRILL: A LATE-MODERN GEM THREATENED BY RENOVATION

By Daniel Paul

MARROW INTO MOXIE: ARTIST ANNE LIBBY COMPLICATES THE ANIMAL-MACHINE BINARY

By Jon Wang

MICKALENE THOMAS, “FEMALE GENIUS”

By Nicholas Boston

LENA HENKE, “FEMALE GENIUS”

By Amelia Stein

THE PIN–UP QUOTE: JEAN NOUVEL

PLEASURE PRINCIPLE: TERRESTRIAL TABLEWARE STILL LIFES

By Bela Borsodi

BYZANTINE BLUES: TURKEY MEETS BELGIUM AT THE EUROPALIA ARTS FESTIVAL

By Andrew Ayers

ARTIST JESSI REAVES, QUEEN OF SCRAP

By Julia Trotta

DESIGN STORY: MATCHY MATCHY MOM

By Vincent Dilio

SAHRA MOTALEBI, “FEMALE GENIUS”

By Kevin Greenberg

DIANE SIMPSON, “FEMALE GENIUS”

By John Arthur Peetz

BOOK CLUB: MAHARAM STORIES

By Alexander Lawrence

DADA ISSUES: INTERVIEW WITH ARTIST ADAM PENDLETON

By Kevin Greenberg

TILE IN STYLE: FOUR MUTINA DESIGN COLLABORATIONS

By Andrew Ayers

A SHORT INTERVIEW WITH ARTIST THOMAS DEMAND

By Kevin Greenberg

DESIGN COLUMN #2: FRAGMENTS FROM LONDON

By Pepa Shores

THE PIN–UP QUOTE: SO–IL

DESIGN COLUMN #1: DETROIT VANGUARD

By Pepa Shores

THE PIN–UP QUOTE: KUNLE ADEYEMI

BEAUTY IN THE TIME OF VIOLENCE: THE ART OF JUSTIN BERRY

By David Andrew Tasman

BOOK CLUB: FANTASTIC ARCHITECTURE

By Tiffany Lambert

INTO THE BLUE: THE VIBRANT HUES OF VILLA MAJORELLE

By Tal Schori

VALERIO OLGIATI’S TIMELESS VILLA ALÉM

By Jesse Coburn

BOOK CLUB: BAS PRINCEN & WIEL ARETS

By Elias Redstone

FINE FABRICS: AN INTERIVEW WITH PATRIK ERVELL

By Jonathan Buckley

THE PIN–UP QUOTE: MARIO BOTTA

PEZO VON ELLRICHSHAUSEN BRING THEIR LYRICISM BEYOND CHILE

By Javier Agustín Rojas

BOOK CLUB: SHIGERU BAN

By Jesse Coburn

BOOK CLUB: LUDWIG LEO AUSSCHNITT

By Julie Klein

DESIGN STORY: OTTOMAN EMPIRE

By Vincent Dilio

THE PIN–UP QUOTE: DAVID ADJAYE

THE PIN–UP QUOTE: KULAPAT YANTRASAST

PRADA, MINA, MONGIARDINO: INTERVIEW WITH FRANCESCO VEZZOLI ABOUT THE CITY OF MILAN

By Felix Burrichter

THE PIN–UP QUOTE: KELLY WEARSTLER

TOTAL ORDER: AN ODE TO SYMMETRY

By Tom Hancocks

INSIDE THE PARIS PAD OF GALLERIST DANIELE BALICE

By Alexandra Marshall

THE PIN–UP QUOTE: DELFINA DELETTREZ

MACK IS BACK: RENEWING THE LEGACY OF CHARLES RENNIE MACKINTOSH

By Andrew Ayers

DESIGN STORY: SELFIE LOUNGE

By Vincent Dilio

THE BEAUTY OF BODEGA FLOWERS THROUGH THE LENS OF Scheltens AND Abbenes

By Jeanne-Salomé Rochat

CALIFORNIA ARCHITECTURE INSPIRES RON NAGLE’S TINY SCULPTURES

By Melissa Gamwell

THE PIN–UP QUOTE: NATHALIE DU PASQUIER

Lina Bo Bardi's Glass House

By Hans Ulrich Obrist

MEMPHIS IN MIAMI: AN INTERVIEW WITH THE ART DEALER JOE SHEFTEL

By Alexandra Alexa

LET THEM EAT CAKE

By Sophia Choi

THE PIN–UP QUOTE: MAX LAMB

A NIGHT OF NORWAY WITH NILS BECH AND BJARNE MELGAARD

PIN–UP QUOTE: STEVEN HOLL

THE PIN–UP QUOTE: THE HAAS BROTHERS

THE PIN–UP QUOTE: ODILE DECQ

BOOK CLUB: SHOOTING SPACE

By Javier Augustín Rojas

MICHAEL GRAVES’S TOP 10

GRAY MATTERS: A NEW DOCUMENTARY ABOUT EILEEN GRAY

By Sophia Choi

THE PIN–UP QUOTE: ROLU

ROBERT STADLER AND ALEXIS VAILLANT’s quiz ASKS ART OR DESIGN?

By Sophia Choi

DECOR MEETS FINE ART IN AN EXHIBITION AT THE VILLA SAUBER

By Alessandro Bava

Michael Hirschbichler’S DYSTOPIAN FANTASIES

By Jesse Coburn

THE PIN–UP QUOTE: SHIGERU BAN

BOOK CLUB: CAPE COD MODERN

By Nick Miller

THE PIN–UP QUOTE: EVA FRANCH I GILABERT

DESIGN STORY: GET THE BAG

APPROXIMATIONS OF A BELGIAN DOMESTIC HERITAGE

By Zac Rose

THE PIN–UP QUOTE: MATTHEW BARNEY

STRAY LIGHT: THE JOHNSON PUBLISHING COMPANY IN CHICAGO, AS SEEN BY ARTIST DAVID HARTT

By Doug Boatwright

BOOK CLUB: 1968 – RADICAL ITALIAN FURNITURE

By Kevin Greenberg

THE PHILOSOPHY OF FURNITURE

By Edgar Allan Poe

THE PIN–UP QUOTE: CLEMENCE SEILLES

THE PIN–UP QUOTE: ISAY WEINFELD

THE PIN–UP QUOTE: ROY MCMAKIN

THE PIN–UP QUOTE: RICK OWENS

THE PIN–UP QUOTE: MARTINO GAMPER

THE PIN–UP QUOTE: PAULO MENDES DA ROCHA

PIN–UP MUSICAL INTERLUDE: BRASIL ESPECIAL MIXXX

CELEBRATING THE LEGACY OF FIRE ISLAND MODERNIST, HORACE GIFFORD

THE PIN–UP QUOTE: OFFICE KGDVS

THE PIN–UP QUOTE: JÜRGEN MAYER H.

IMAGINARY VIEW: A PORTFOLIO BY RACHEL THOMAS AND DAN TOBIN SMITH

By Kevin Greenberg

THE PIN–UP QUOTE: DANIEL ARSHAM

PIN–UP PARTY REPORT: CELEBRATING DESIGN MIAMI AT the HOME OF YABU PUSHELBERG

THE PIN–UP QUOTE: SOPHIE HICKS

THE PIN–UP QUOTE: PIERRE HARDY

THE PIN–UP QUOTE: DAVID CHIPPERFIELD

AN AMERICAN IN PARIS: INTERVIEW WITH Rafael de Cárdenas

THE PIN–UP QUOTE: BETHAN LAURA WOOD

PIN–UP MUSICAL INTERLUDE: MISS LAUREN DEVINE

CAKE FIGHT: PARTY PAGES FROM MIAMI

THE STORYTELLER: THE HYBRID DESIGNS OF STEPHEN BURKS

By Kevin Greenberg

PLANET GRCIC: IMAGINING THE FUTURE WITH TOMORROW’S DESIGN CLASSICS

By Leon Ransmeier

MANCHEGO MODERN: The Peculiar Architecture of Miguel Fisac

By Mario Ballesteros

Mendeel Um A7mad (N x I x S x M): A FILM ABOUT GENDER, LIFESTYLE, AND TISSUE BOXES

By Fatima Al Qadiri and Khalid Al Gharaballi

BOOK CLUB: AUTO-DESTRUCTIVE ART

By Alessandro Bava

PILLARS OF SOCIETY: Nordic Architecture's (Stifling) Comfort Zone

By James Taylor-Foster