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Faith, Place and Chance: Rose Salane’s Lost Objects Fill in the Gaps of History
By Samantha Ozer
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A New Look for the Museum of Contemporary Art San Diego, courtesy Selldorf Architects
By Whitney Mallett
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SHELLS AND SKINS: The Body Is a Home at Del Vaz Projects
By Samantha Ozer
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Speaking in Tongues: on the Swiss Institute’s Sable Elyse Smith-Curated Annual Architecture and Design Series
By Almog Cohen-Kashi
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DETROIT BAROQUE: On Chris Schanck’s Corroded Majesty
By Brecht Wright Gander
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ALMOST 100: Happy Birthday Agustín Hernández
By Suleman Anaya
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At Sized in Los Angeles, Vessels Is a Metaphor
By Emily R. Pellerin
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Hollow Insides, Bodily Outsides: Peter Schlesinger Tours Us Around His Ceramic Vessels
By Osman Can Yerebakan
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What Artist Brie Ruais Knows – And Still Doesn’t Know – About Being in a Body
By Emily R. Pellerin
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SWEET SUBVERSIONS: DIS Curates the Biennale de l’Image en Mouvement in Geneva
By Drew Zeiba
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VIDEO: Caribbean Architecture Explored Through its Own Material History
By Sucking Salt
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UZBEK PAVILION CURATORS CHRIST & GANTENBEIN ON MAHALLAS AND THE FUTURE OF URBAN LIVING
By Natalia Torija Nieto
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In Search of a New Spatial Contract at the 2021 Venice Architecture Biennale
By Andrew Pasquier
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SUN CITY: The Mannerist Devotional Flair of Soft Baroque’s First Solo Exhibition in Milan
By Alice Bucknell
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Material Promiscuity: Objects USA and the Evolution of American Craft
By Jesse Dorris
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INTERVIEW: Curator Alia Farid On The Space Between Classrooms And New Types Of Learning
By Drew Zeiba
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“TAN,” An Installation by Soft Baroque Presented by PIN–UP and Marsell
By PIN–UP
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INTERVIEW: Maria Cristina Didero And Jorge Penades On Curating Curators
By Natalia Torija Nieto
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TOTAL SPACE: A Disorienting Exhibition For Disorienting Times
By Alice Bucknell
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INTERVIEW: Artist David Hartt Discusses Place, Race, and Black Authorship
By Felix Burrichter
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EDIBLE ARRANGEMENTS: How Fruit And Food Packaging Inspire Jonathan Trayte’s Sculptural Furniture
By Brecht Wright Gander
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BONNETCORE: Designer Katie Stout Curates A Selection Of Shaker Craft
By Camille Okhio
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Artist Genevieve Goffman Makes Fantasy Architectural Models To Explore History’s Complexities
By Matt Shaw
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COMING TO LIGHT: Artist Woody De Othello’s Wonky Domestic Vision In Miami
By Ade Omotosho
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HOUSE PARTY: Alex da Corte Deconstructs the American Media Psyche in Shanghai
By Samuel Anderson
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INTERVIEW: Akeem Smith On Recreating The Architecture Of Jamaican Dancehall
By Felix Burrichter
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GREEN ROOM: The Planter Show Organized By Fort Makers Design Studio
By Karina Encarnación
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LEARNING CURVE: Faye Toogood Explores Truth and Knowing in Her New Exhibition
By Camille Okhio
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CHRISTO AND JEANNE-CLAUDE: A Posthumous Paris Rendezvous at the Pompidou
By Andrew Ayers
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From Studio 54 To Carl Craig, A Wave of Dance Fever Hits The Exhibition Circuit
By Jesse Dorris
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MASA Nomadic Design Gallery Took Over a Castle in Mexico City
By Samantha Ozer
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Koolhaas’s Countryside Show Spirals At The Guggenheim
By Andrew Pasquier
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Wearables Exhibition Spotlights Intimacy and One-Off Economics
By Alice Bucknell
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A TALE OF TWO CITIES: Mayrit and the Madrid Design Festival
By Andrew Ayers
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LIVING WITH SCHINDLER: All The Angles
By Susan Orlean
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INTERVIEW: Artist Sarah Zapata On Ugly Colors AND Fetishizing Yarn
By Mekala Rajagopal
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OMAR SOSA’S “COMFORT” SHOW EMBRACES DOMESTIC UNEASE
By Jesse Dorris
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ARTIST NIK KOSMAS EXPLORES THE AESTHETICS OF SCI-FI ARTISANAL FETISH
By Eduardo Andrés Alfonso
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INTERVIEW: Rich Aybar Makes Rubber Furniture and Documentary
By Emily Segal
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DESIGN DISPATCH: Favorites from the Miami Design Fair
By Sansho Scott
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MIRAGE: Artist Doug Aitken’s Reflections On the Ranch-Style Home
By Whitney Mallett
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MONUMENTAL: Nona Faustine Reveals Historical DistortionS In Public Space
By Mekala Rajagopal
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Big Ideas Economically Realized At The Lisbon Architecture Triennale
By Andrew Ayers
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INTERVIEW: Raf Simons Feels at Home Designing The Fabrics of Our Lives
By Felix Burrichter
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A Show at the Schindler House Harnesses The Soft Power Of Plural Storytelling
By Emma Leigh Macdonald
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Didactics and Diversity at the 2019 Chicago Architecture Biennial
By Drew Zeiba
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Artist Jacolby Satterwhite’s Euphoric Universe Traverses Digital and Physical REALMS
By Mahfuz Sultan
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AUSTRIANS IN AMERICA: How Transatlantic Exchange Shaped Modernist Architecture
By Akiva Blander
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Cruising Pavilion considers the Architecture of Queer Sex, from Grindr to Glory Holes
By Michael Bullock
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Artist Duo Zheng Mahler Studies Architectural Utopia via Cyberpunk Anthropology
By Jeppe Ugelvig
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ARE CHAIRS ART? A DESIGN DEBUTANTE DISCOVERS THE VERSATILITY OF SEATING
By Picasso Moore
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INTERVIEW: Shumon Basar Talks “Age Of You” Exhibition And The Extreme Self
By Eva Munz
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ART, DESIGN, ARCHITECTURE: The Lake Como Design Fair Does it All
By Andrew Ayers
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OBJECT MANOR: CHARLAP HYMAN & HERRERO’S TRIBUTE TO MARIO PRAZ
By Osman Can Yerebakan
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CALCULATED DISORDER: Carsten Höller Puts On A Delirious Show in Mexico
By Drew Zeiba
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ERRATA: A Design Exhibition About Books and Mistakes
By Natalia Torija Nieto
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ENCOUNTERS: A First Guest Curated Show at Cristina Grajales Gallery
By Natalia Torija Nieto
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VENICE 2019: The Rise of the Urban Biennale
By Vere van Gool
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TRACES, ECHOES, SKINS: Heidi Bucher’s Meditations On Memory
By Drew Zeiba
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BACK TO THE ROOTS: Interview With Storefront’s New Chief Curator José Esparza Chong Cuy
By Drew Zeiba
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MEMORY LANE: An Exhibition about Design, Childhood, and Nostalgia
By Pierre Alexandre de Looz
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Every Object Tells A Story: Interview with Curator Alexandra Cunningham Cameron
By Drew Zeiba
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Glenn Adamson’s Favorite Objects and Things
By Glenn Adamson
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Jessi Reaves’s New Body of Work
By Tess Edmonson
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ROCK STARS: Chen Chen and Kai Williams’s new Mineral Explorations
By Drew Zeiba
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INTERVIEW: IdeasCity Curator Mitch McEwen on New Orleans and Fruitful Speculations
By Drew Zeiba
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LAND ARTISTIC: Yorkshire Sculpture Park’s New Visitor Center by Feilden Fowles
By George Kafka
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ISLAND GLOW: Michael Anastassiades Makes a Big Show in Nicosia
By Andrew Ayers
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TURNING TABLES: Filip Samuel Berg Honors Design’s Forgotten Typology
By Jeppe Ugelvig
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MADRID DESIGN FESTIVAL 2019: FROM SPANISH GRANDEES TO THE BLACK MARKET
By Andrew Ayers
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Architectural Follies: Totally Useless but Oh So Necessary
By Andrew Ayers
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The Marbled Approximations of the Artist Lauren Clay
By Drew Zeiba
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BOOK CLUB: The Notional Architectures of Bodys Isek Kingelez
By Pierre Alexandre de Looz
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HUTS FOR HANDS: Fragments of an It-Narrative in Nano
By Emma McCormick-Goodhart
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WELCOME TO THE SCROLLHOUSE
By Taylore Scarabelli
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SMALL VIOLENCES
By Drew Zeiba
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CHARLOTTE’S DARK WEB
By Micaela Durand
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MATTER IS LIGHT: Getting Lost with Per Kirkeby at Château La Coste
By Andrew Ayers
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boolProp testingcheats enabled true, or: The Critical Dollhouse
By Jeppe Ugelvig
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NOTES ON A SCANDAL: Interview with Kimberli Meyer, Former Director of Long Beach’s University Art Museum
By Mimi Zeiger
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OPEN SOURCE DESIGN: The chairs of Oscar Hagerman
By Natalia Torija Nieto
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DIOR IN DENVER: Not Your Average OMA
By Whitney Mallett
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EXHIBITION REVIEW: 44 Low Resolution Houses
By Michaela Friedberg and Carly Richman
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100 Years of Castiglioni: His Geologist Daughter Digs Into the Designer’s Layered Legacy
By Felix Burrichter
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An EDUCATIONAL U-TURN: Review of the 2018 Istanbul Design Biennial
By Jeppe Ugelvig
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Piano Non Forte: The Work of Renzo Piano Building Workshop at The Royal Academy
By George Kafka
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YUGOTOPIA: The Glory Days of Yugoslav Architecture On Display
By David Huber
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ECCE HOMO: In Venice An Exhibition Hopes to save Europe through Craftsmen
By Andrew Ayers
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INTERVIEW with Artist Suki Seokyeong Kang about Shape, Form, Weight, And Space
By Jeppe Ugelvig
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The Art of Daniel Boudinet, or the City at Cibachrome Cruising Speed
By Andrew Ayers
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Donald Judd’s Very Specific Furniture
By Natalia Torija Nieto
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Model Redux at BronxArtSpace: Reviving the Participatory Community
By Vivien Lee
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A DESIGN LOVER’S LISTICLE: R&Company’s Nine Favorite Shows from the Past 20 Years
By PIN–UP
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A WEAK MONUMENT: THE ESTONIAN PAVILION AT THE 2018 VENICE BIENNALE
By James Taylor-Foster
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Peggy Guggenheim, Inadvertent Patron Of Avant-garde Architecture
By David Michon
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FREE ROAMING: A Review of the 2018 Venice Biennale
By Jordan Hruska
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DEUTSCHE SWANK: AN EXHIBITION ON 1980s GERMAN AVANT-GARDE DESIGN
By Stephanie Murg
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MACHINES FOR DANCING: Club Design and the Evolution of Desire, Seduction, and Utopia
By Tamar Shafrir
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PHILIPPE RAHM’S HOLISTIC DECOR IN THE AGE OF CLIMATE CHANGE
By Alex Tieghi-Walker
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DRAWN TO LIFE: The Early Work of Arakawa and Gins
By Nolan Boomer
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POSTER POLITICS: An Exhibition About Graphic Design and Political Activism
By George Kafka
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ARCHIVO MEXICO: Interview With Mario Ballesteros on Rescuing Mexico's Architectural Heritage
By Vivien Lee
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CHRIS SCHANCK, INVENTOR OF ALUFOIL, PAYS HOMAGE TO THE GARDENS OF DETROIT’S BANGLATOWN IN HIS FIRST SOLO SHOW
By Michael Bullock
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POOL POLITICS: An Exhibition About the Architecture of Private Pools
By Andrew Ayers
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KITCHEN MIXERS, MANOLOS, AND MORE: THE INAUGURAL MADRID DESIGN FESTIVAL
By Andrew Ayers
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WHEN ARCHITECTS DESIGN FOR THE HOME: Two Current Exhibitions Take Stock
By Tiffany Lambert
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GHOST ON THE HIGHWAY: ALLAN D’ARCANGELO’S HAUNTING AMERICANA
By Alice Bucknell
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THE MASTER AND FORM: Brendan Fernandes’ Exploration of Space, People, and Power
By Sean Santiago
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2017: ANOTHER YEAR OF BIENNIAL FEVER
By Andrew Ayers
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FIELD EXPERIMENTS: HARDLY TOGETHER
By Drew Zeiba
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PILE UP: The Fantastic World of Misha Kahn
By Natalia Torija Nieto
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NOMADIC COMFORT: AT HOME WITH ARTISTS SLAVS AND TATARS
By Johann Clausen
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POM-POM-PIDOU: FRANCESCO VEZZOLI REVERTS THE LEGENDARY PARISIAN MUSEUM INTO A FUN PALACE
By Andrew Ayers
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FAIR REVIEW: RECENT IMPRESSIONS FROM CHICAGO
By Jennifer Piejko
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THE FEMALE GLAZE: Valentina Cameranesi’s CERAMICS IN TOULON
By Matylda Krzykowski
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ARE WE HUMAN?: A VISIT TO THE ISTANBUL BIENNALE
By Shumi Bose
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IN TRANSIT: A VISIT TO THE OSLO ARCHITECTURE TRIENNALE
By Andrew Ayers
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A FORMAL OCCASION: THE LISBON ARCHITECTURE TRIENNALE
By Andrew Ayers
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FIVE HIGHLIGHTS FROM BEIJING DESIGN WEEK
By Amy Qin
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PROGRESSLAND: A DESIGN EXHIBITION CHALLENGES NARRATIVES OF HUMAN ADVANCEMENT
By Natalia Torija Nieto
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HIDDEN PLEASURES: AN EXHIBITION UNCOVERS BARRY DIERKS’S VILLA LA REINE JEANNE
By Andrew Ayers
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LIFE IN RUINS: BAS PRINCEN AND OFFICE KGDVS’S MODEL FOR A PAVILION
By Jesús Vassallo
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THE REAL STATE OF ISTANBUL: SERDAR BILGILI BELIEVES IN THE TRANSFORMATIVE POWER OF ART (AND BUSINESS)
By Sean Santiago
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BYZANTINE BLUES: TURKEY MEETS BELGIUM AT THE EUROPALIA ARTS FESTIVAL
By Andrew Ayers
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DESIGN COLUMN #2: FRAGMENTS FROM LONDON
By Pepa Shores
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CALIFORNIA ARCHITECTURE INSPIRES RON NAGLE’S TINY SCULPTURES
By Melissa Gamwell
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DECOR MEETS FINE ART IN AN EXHIBITION AT THE VILLA SAUBER
By Alessandro Bava
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Michael Hirschbichler’S DYSTOPIAN FANTASIES
By Jesse Coburn
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APPROXIMATIONS OF A BELGIAN DOMESTIC HERITAGE
By Zac Rose