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INTERVIEW: Raphael Sperry on Ethics, Design, and the Abolition of Prisons
By Whitney Mallett
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Artist Laura Welker Makes Dollhouses For Her Strange Universe Of Objets D’Arts
By Whitney Mallett
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INTERVIEW: Jerald “Coop” Cooper, Founder of Hood Midcentury Modern
By Whitney Mallett
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SOLAR DIFFUSION: The New Image Of Solar Energy From Tariffs And Tesla To Akon And Big Brother
By Whitney Mallett
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Sarasota Art Museum Takes Over A High School And Rudolph-Designed Ancillary
By Whitney Mallett
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Meet Esther Choi, Artist and Author of Subversive Cookbook “Le Corbuffet”
By Whitney Mallett
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NEW WEIRD BERLIN: Speculative Architecture In Elvia Wilk’s Novel
By Whitney Mallett
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Fernando Laposse Brings Indigenous Mexican Crafts to Miami
By Whitney Mallett
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MIRAGE: Artist Doug Aitken’s Reflections On the Ranch-Style Home
By Whitney Mallett
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GUNTA STÖLZL, UNBEWEAVABLE BAUHAUS BOSS OF TEXTILES
By Whitney Mallett
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NEOFUTURIST CHASTITY: ABDU ALI’S MUSIC VIDEO AT SAARINEN’S NORTH CHRISTIAN CHURCH
By Whitney Mallett
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Artist Theaster Gates On Beetle-Damaged Ash Trees and Urban Catastrophe
By Whitney Mallett
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DIOR IN DENVER: Not Your Average OMA
By Whitney Mallett
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SKIN IS IN: Celebrating Diversity with “NUDE” Towels and Unisex Swimwear
By Whitney Mallett
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THE “QUIETLY KINKY” ART OF HANNAH LEVY
By Whitney Mallett
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WINTER COZY: PERFORMANCES AND FURNITURE AT AMERICAN MEDIUM
By Whitney Mallett
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CRAFT CATCH UP: NORWEGIAN ARTISTS ELLEN GRIEG AND ELISABETH VON KROGH
By Whitney Mallett
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CONVERSATION PIECES: FOSTERING DESIGN IN COLUMBUS, INDIANA
By Whitney Mallett
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BOOK CLUB: HIGH-RISE
By Whitney Mallett
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BOOK CLUB: WE DON’T EMBROIDER CUSHIONS HERE
By Whitney Mallett
