ANCIENT ALIENS: What The Acámbaro Hoax Says About Mexican Identity

By Mario Ballesteros

30 OBJECTS: A Survey Show To Define Design In The First Two Decades Of The 21st Century

By PIN–UP

BOOK CLUB: Race and Modern Architecture Confronts The Legacy Of White Supremacy

By Janelle Zara

INTERVIEW: Manuela Soto Sosa On Her Anime-Inspired Home Drop And Maximalist Interior Design

By Whitney Mallett

PIN–UP “LEGACY” ISSUE: LETTER FROM THE EDITOR

By PIN–UP

BASIC INSTINCTS: How Instagram Is Changing The Way We Decorate Our Homes

By Taylore Scarabelli

INTERVIEW: Artist And Writer Aria Dean On Irony, Legacy, and her Interest in Postmodern Architecture

By Becky Akinyode

AGENTS PROVOCATEURS: Applied Arts Is Redefining The Concept Of A Creative Agency

By Marco Estrella

INTERVIEW: Sophia Al-Maria, Self-described Time Traveler with a Starchitect-Centered Screenplay on the Way

By Hans Ulrich Obrist

Material Promiscuity: Objects USA and the Evolution of American Craft

By Jesse Dorris

INTERVIEW: Ibiye Camp On Her Hyrbid Practice Materializing Data And Mapping Public Space

By Jareh Das

INTERVIEW: Curator Alia Farid On The Space Between Classrooms And New Types Of Learning

By Drew Zeiba

INTERVIEW: Artist-Anthropologist Maya Stovall On Detroit Urbanism And Liquor Store Theatre

By Alice Bucknell

INSIDE THE BUBBLE: A Eulogy For Instagram, Inflatables, And The Innocence Of The 2010s

By Jesse Seegers

Alice Bucknell On E-Z Kryptobuild, Her Fictional Ponzi Scheme Selling Architecture For The Apocalypse

By Drew Zeiba

ATLANTIS RISING: Ellex Swavoni’s Sci-Fi Monument To Atlanta’s Black Heroines

By Tash Nikol

INTERVIEW: Artist David Hartt Discusses Place, Race, and Black Authorship

By Felix Burrichter

EDIBLE ARRANGEMENTS: How Fruit And Food Packaging Inspire Jonathan Trayte’s Sculptural Furniture

By Brecht Wright Gander

INTERVIEW: Artist Kandis Williams Is Giving History A Hard Read

By Chloe Wayne and Mahfuz Sultan

Artist Genevieve Goffman Makes Fantasy Architectural Models To Explore History’s Complexities

By Matt Shaw

THE LATE HESTER DIAMOND’S CLASHING COLLECTION OF POP FURNITURE AND OLD MASTERS

By Robert McKenzie

HOUSE PARTY: Alex da Corte Deconstructs the American Media Psyche in Shanghai

By Samuel Anderson

GRAPHIC LANGUAGE: Ten Iconic Examples Of ActivisM Through Design

By Jerome Harris

INTERVIEW: The Late Nanda Vigo, Radical Artist And Designer Light-Years Ahead Of Her Time

By Hans Ulrich Obrist

INTERVIEW: Curator Maite Borjabad on Designs for Different Futures

By Samantha Ozer

BOOK CLUB: In Search Of African American Space

By Oluwatobiloba Ajayi

MONDO MARI: Favorites From The Late Artist and Designer Enzo Mari’S Oeuvre

By Adam Charlap Hyman

INTERVIEW: Akeem Smith On Recreating The Architecture Of Jamaican Dancehall

By Felix Burrichter

FAIR GAME: Sky Is A Virtual World Designed To Cultivate Kindness And Collectivity

By Monica Uszerowicz

BOOK CLUB: A Not-So-Gossipy Study of The Arensbergs’ Art CollEction And Hollywood Home

By Robert McKenzie

GREEN ROOM: The Planter Show Organized By Fort Makers Design Studio

By Karina Encarnación

Artist Laura Welker Makes Dollhouses For Her Strange Universe Of Objets D’Arts

By Whitney Mallett

LEARNING CURVE: Faye Toogood Explores Truth and Knowing in Her New Exhibition

By Camille Okhio

INTERVIEW: Liz Hopkins On Their Clit-Shaped Desk, Womb-Like Seating, And Reclaiming Lesbian Pulp

By Mekala Rajagopal

SPECIAL ISSUE: A Collector’s Edition Of PIN–UP By Pim Top

By PIN–UP

INTERVIEW: Joar Nango On Indigenous Architectures And Slippery Identities

By Mimi Zeiger

FABRIC OF LIFE: Kvadrat invites 28 Designers to Reimagine Knits

By Jesse Dorris

DESIGN STORY: Sunflowers Are Fine

By Pim Top

INTERVIEW: Design Duo Soft Baroque from London On Their Signature Absurdism

By Jeppe Ugelvig

INTERVIEW: Designer Peter Mabeo On The Power of Human Connections and African Design

By Karina Encarnación

GARBAGE COLLECTOR: Artist And Designer Nick DeMarco On Recycled Plastic Pleasures

By Nathan Taylor Pemberton

GLORIA KISCH: Remembering The Late Artist’s Functional Steel Sculpture

By Jesse Dorris

CHRISTO AND JEANNE-CLAUDE: A Posthumous Paris Rendezvous at the Pompidou

By Andrew Ayers

NOGUCHI’S MIDWESTERN MOONSCAPE: From Magic Chef To A U-Haul Center

By Karina Encarnación

LETTER: In Support of New York Nightlife

By Felix Burrichter

INTERVIEW: Artist Theresa Chromati On Complexity, Intuition, and Public Art

By Abdu Ali

THE MODERN SHOWER: From Prison Control To Suburban Purity

By Olivia Erlanger

INTERVIEW: Photographer Elliott Jerome Brown Jr. Talks Interior Lives

By Tony Jackson Jr.

AROUND THE PROTEAN TABLE: From Judy Chicago to changing notions of Digital Era Connection

By Rose Higham-Stainton

CITY WRITER: Interview with Visual Poet Renee Gladman

By Drew Zeiba

Design Genre-Busting In Brussels: One Fair and Three Shows

By Andrew Ayers

FOLKS ON CHAIRS: African-American Home Life As Seen Through the Lens of Art

By Tiana Webb Evans

WILLO PERRON PRESENTS: The Sun, Agent of Renewal and Destruction

By PIN–UP

CRACK UP — CRACK DOWN: Ljubljana Biennial Curated By Slavs And Tatars

By Jesse Seegers

TANNING: The Fluctuating Fashions of Indoor and Outdoor Bronzing

By Taylore Scarabelli

INTERDEPENDENCE: A Short Film about the Swedish Response to the COVID-19 Pandemic

By PIN–UP

DANCE AND ARCHITECTURE: A Dancer Selects Five Of The Most Inspiring Sets

By Eva Alt

HOTHOUSES: Architecture And The Onslaught Of Heat Fatigue

By David Huber

INTERVIEW: Artist Lauren Halsey On Her South Central-Inspired Afrofuturism

By Mimi Zeiger

The Politics Behind Sharona Franklin’s Sculptural Jelly Cakes

By Vivien Lee

Jean-Jacques Lequeu, Fantasy Builder or Parafictional hoax?

By Andrew Ayers

INTERVIEW: Artist Sarah Zapata On Ugly Colors AND Fetishizing Yarn

By Mekala Rajagopal

INTERVIEW: Artist Kayode Ojo On Class, Fakes, and Aspirational Glamour

By Rafael de Cárdenas

MIRAGE: Artist Doug Aitken’s Reflections On the Ranch-Style Home

By Whitney Mallett

MONUMENTAL: Nona Faustine Reveals Historical DistortionS In Public Space

By Mekala Rajagopal

A Show at the Schindler House Harnesses The Soft Power Of Plural Storytelling

By Emma Leigh Macdonald

INTERVIEW: Artist Ilana Harris-Babou On Power Dynamics Of Domestic Aspirations

By Jeremy O. Harris

Artist Jacolby Satterwhite’s Euphoric Universe Traverses Digital and Physical REALMS

By Mahfuz Sultan

INTERVIEW: Artist David Hartt Transforms A Frank Lloyd Wright Synagogue

By Drew Zeiba

INTERVIEW: Dayglo Legend Peter Halley On Architectural Installations And Index Magazine

By Michael Bullock

RESIDENT ALIENS: Victor Vasarely Seen Through New Eyes

By Andrew Ayers

Cruising Pavilion considers the Architecture of Queer Sex, from Grindr to Glory Holes

By Michael Bullock

Artist Duo Zheng Mahler Studies Architectural Utopia via Cyberpunk Anthropology

By Jeppe Ugelvig

GUNTA STÖLZL, UNBEWEAVABLE BAUHAUS BOSS OF TEXTILES

By Whitney Mallett

A Documentary About Garages Explores Unorthodox Suburban Identity

By Drew Zeiba

NOTHING IN MOMA: Abraham Adams’s Exaltation of Absence

By Drew Zeiba

INTERVIEW: Shumon Basar Talks “Age Of You” Exhibition And The Extreme Self

By Eva Munz

BALLANTINE’S AND NOKIA PHONES: Artist Paul Kopkau Explores Consumerist Desire And Despair

By Andrew Durbin

TIME FIGHTERS: BLACK QUANTUM FUTURISM AT THE CHICAGO ARCHITECTURE BIENNIAL

By Drew Zeiba

INTERVIEW: ARTIST JIMMY ROBERT ON THE BODY, SPACE, AND POWER

By Harry Burke

SEEING AND BEING SEEN: A Cinematic Diptyque Explores living online

By Drew Zeiba

INTERVIEW: Artist Livia Corona Benjamin Explores Architectural Traces of Rural Policy in Mexico

By Natalia Torija Nieto

PLEXI DEVIL: The Artist Raque Ford Claims Her Space Through Sculpture

By Paul Kopkau

WHITE MALE PROBLEM: A MoMA SALON ON INSTITUTIONAL INEQUALITY

By Jesse Seegers

BLOOM: A Machine Elf’s Guide to Desert Flora

By Carlos Sáez

Architect Anne Holtrop Finds a New Lease on Life in the Desert

By Shumi Bose

CALCULATED DISORDER: Carsten Höller Puts On A Delirious Show in Mexico

By Drew Zeiba

ERRATA: A Design Exhibition About Books and Mistakes

By Natalia Torija Nieto

Design Duo Messgewand Is Giving Furniture a French Twist

By Alice Bucknell

ENCOUNTERS: A First Guest Curated Show at Cristina Grajales Gallery

By Natalia Torija Nieto

VENICE 2019: The Rise of the Urban Biennale

By Vere van Gool

TRACES, ECHOES, SKINS: Heidi Bucher’s Meditations On Memory

By Drew Zeiba

MILANESE MAESTRO: Interview With Architect Umberto Riva on the Creative Power of Mistakes

By Hans Ulrich Obrist

BACK TO THE ROOTS: Interview With Storefront’s New Chief Curator José Esparza Chong Cuy

By Drew Zeiba

MEMORY LANE: An Exhibition about Design, Childhood, and Nostalgia

By Pierre Alexandre de Looz

INTERVIEW: Eric N. Mack, the New York Artist Who Paints with Textiles

By Mahfuz Sultan

IDEASCITY NEW ORLEANS: A State of Exuberant Hybridity

By Drew Zeiba

DIG: A VOYAGE INTO The Hand Dug Desert Caves of RA PAULETTE

By Mimi Zeiger

Every Object Tells A Story: Interview with Curator Alexandra Cunningham Cameron

By Drew Zeiba

Glenn Adamson’s Favorite Objects and Things

By Glenn Adamson

Jessi Reaves’s New Body of Work

By Tess Edmonson

ROCK STARS: Chen Chen and Kai Williams’s new Mineral Explorations

By Drew Zeiba

FULLY ENLARGE: The Sensory Bonanza of Designer Audrey Large

By Alice Bucknell

INTERVIEW: IdeasCity Curator Mitch McEwen on New Orleans and Fruitful Speculations

By Drew Zeiba

LAND ARTISTIC: Yorkshire Sculpture Park’s New Visitor Center by Feilden Fowles

By George Kafka

Decalogue: The Vision behind Visionnaire

By Felix Burrichter

ISLAND GLOW: Michael Anastassiades Makes a Big Show in Nicosia

By Andrew Ayers

INTERVIEW: “Daddy” Playwright Jeremy O. Harris On Beauty, Pools, and Trauma

By Felix Burrichter

TURNING TABLES: Filip Samuel Berg Honors Design’s Forgotten Typology

By Jeppe Ugelvig

Artist Theaster Gates On Beetle-Damaged Ash Trees and Urban Catastrophe

By Whitney Mallett

F-Architecture and the Hymen Industrial Complex

By Annette Lin

The Marbled Approximations of the Artist Lauren Clay

By Drew Zeiba

BOOK CLUB: The Notional Architectures of Bodys Isek Kingelez

By Pierre Alexandre de Looz

HUTS FOR HANDS: Fragments of an It-Narrative in Nano

By Emma McCormick-Goodhart

Bolivian architect Freddy Mamani interpreted by Peruvian Artist Jonathan Castro

By Thom Bettridge

WELCOME TO THE SCROLLHOUSE

By Taylore Scarabelli

FAMILIAR PATTERNS: The Origins of the Common Domestic Doily

By Eva Munz

CHARLOTTE’S DARK WEB

By Micaela Durand

MATTER IS LIGHT: Getting Lost with Per Kirkeby at Château La Coste

By Andrew Ayers

PIN–UP EXCLUSIVE: Skype William’s “HOME” Mix For The New Year

By Tony Jackson Jr.

NOTES ON A SCANDAL: Interview with Kimberli Meyer, Former Director of Long Beach’s University Art Museum

By Mimi Zeiger

The Visual Mixtapes of Michael Dayton Hermann Tap Into the Collective Media Memory Space

By Drew Zeiba

BOYFRIEND MATERIAL: A Studio Visit with Thomas Barger

By Efe Ramirez

INTERVIEW WITH FUNCTIONAL ART CO-FOUNDERS JAVIER PERES and BENOÎT WOLFROM

By Felix Burrichter

KNOT APPROPRIATE: Artist Christen Mooney’s “Tapestries” Explore Issues of Appropriation and Fetishization

By Elliott Jerome Brown Jr.

Real Estate Collages by the artist Camiel Duytschaever and the Strangeness of the American Interior

By Drew Zeiba

ABMB AL FRESCO: A Miami Dinner experience with Telfar, PIN–UP, and Swiss Institute

By PIN–UP

SHAPED BY CULTURE: Ceramicist Zizipho Poswa Embraces the Past Through Large Scale Works

By Tracy Lynn Chemaly

Interview: Jacolby Satterwhite on How Video Games, Art History, and Sleep Deprivation Inspire His 3D Interiors

By Michael Bullock

EXHIBITION REVIEW: 44 Low Resolution Houses

By Michaela Friedberg and Carly Richman

DESIGN STORY: TELFAR LOUNGE

By Thomas Albdorf

INTERVIEW with MARTHA ROSLER, The Artist Who Speaks Softly but Carries a Big Shtick

By Stephanie Murg

SUBURBICIDE: Remote Drone Warfare, Mental Health, and the Suburban American Dream

By Nicholas Korody

Interview: The Brave New World of Autistic ARCHITECTURAL Artist William Scott

By Michael Bullock

YUGOTOPIA: The Glory Days of Yugoslav Architecture On Display

By David Huber

Interview with Jay Ezra, Co-Founder of ANNEX Gallery in Los Angeles

By Drew Zeiba

ECCE HOMO: In Venice An Exhibition Hopes to save Europe through Craftsmen

By Andrew Ayers

A 35mm Throwback to Storefront’S 24 X 24 X 24 Summer Solstice

By Antwan Duncan

SWISS CONGENIALITY: Interview with Annabelle Selldorf and Swiss Institute director Simon Castets

By Felix Burrichter

ESSAY: The Eternal Return of the Primitive Hut

By Shumon Basar

REVIEW: READYMADES BELONG TO EVERYONE at New York’s Swiss Institute

By Drew Zeiba

INTERVIEW with Artist Suki Seokyeong Kang about Shape, Form, Weight, And Space

By Jeppe Ugelvig

The Art of Daniel Boudinet, or the City at Cibachrome Cruising Speed

By Andrew Ayers

INTERVIEW: Odile Decq on Risk-taking, Rule Bending, and Gender Constraints

By Aurélien Gillier

Model Redux at BronxArt­Space: Reviving the Participatory Community

By Vivien Lee

DESIGN STORY: Home Jewelry

By Vincent Dilio

REBUS PLAY: A Book Of Visual Puzzles By Artist Bela Borsodi

By Felix Burrichter

MEAT MARKET MEMORIES: Paul Haacke on Growing Up Alongside the Hudson River Piers

By Paul Haacke

BOOK CLUB: Snarkitecture, Architecture’s Excavation Artists

By Stephanie Murg

ENTIRELY OF THE MIND: The Drawings of Pezo von Ellrichs­hausen

By Daniel Sherer

BASEL 2018: A selective review of Barns, Bars, and other Sensations

By Jennifer Piejko

Amateur Hour: Studio Visit With Sigve Knutson

By Sean Santiago

COS PLAY: Karin Gustafsson and the Soft Power of Art and Architecture

By Natalia Torija Nieto

Peggy Guggenheim, Inadvertent Patron Of Avant-garde Architecture

By David Michon

BOOK CLUB: Grafton Architects and the Craft of Making Space

By Kevin Greenberg

WET MAGAZINE: Bathing to the Next Level

By Tiffany Lambert

MENTAL FURNITURE: The Gray Zone Between Functional Sculpture and Nonfunctional Design

By Marc Matchak

STOCK OPTIONS: A Taxonomy of Construction Materials Turned Into Architectural Portraits

By Laida Aguirre

The Hybrid Preternatural Works of Anna Uddenberg

By Alex Bennett

PORTRAIT: MEET MARY CERUTI, DIRECTOR OF NEW YORK’S SCULPTURE CENTER

By Jeppe Ugelvig

The Baroque Bitchiness of Pablo Bronstein

By Alice Bucknell

DRAWN TO LIFE: The Early Work of Arakawa and Gins

By Nolan Boomer

POWER TOPS: Couches and Top Models

By Zachary Rose

VILLA DORANE: Ettore Sottsass Brings A Frisky Moment to the South Of France

By Johnny Graf

BUSH ERA: Finding Solace in the Australian Outback

By Stephen Todd

THE PERFECT CUBE: Matt Tyrnauer Remembers Gore Vidal’s La Rondinaia

By Matt Tyrnauer

CLOUD FORMATIONS: Climate Change, Diaspora Theory, and the Internet

By Carson Chan

LIFE CYCLE: A Coming of Age via Fashion

By Tamar Shafrir

ARCHIVO MEXICO: Interview With Mario Ballesteros on Rescuing Mexico's Architectural Heritage

By Vivien Lee

CHRIS SCHANCK, INVENTOR OF ALUFOIL, PAYS HOMAGE TO THE GARDENS OF DETROIT’S BANGLATOWN IN HIS FIRST SOLO SHOW

By Michael Bullock

WAKE UP CALL: Architectural Comfort in the Age of Passivity

By Pol Esteve

DESIGN STORY: ALL OF THE LIGHTS

By Philippe Jarrigeon

PILLOW TALK: THE BED AS A PALIMPSEST FOR THE PSYCHE

By Evan Moffitt

CALL OF THE ALPS: NOMAD, A COLLECTIBLE DESIGN FAIR IN ST. MORITZ

By Dan Thawley

WHEN ARCHITECTS DESIGN FOR THE HOME: Two Current Exhibitions Take Stock

By Tiffany Lambert

GHOST ON THE HIGHWAY: ALLAN D’ARCANGELO’S HAUNTING AMERICANA

By Alice Bucknell

INTERVIEW WITH SCULPTOR SARA FLYNN ABOUT HER PORCELAIN FRIENDS

By Felix Burrichter

THE MASTER AND FORM: Brendan Fernandes’ Exploration of Space, People, and Power

By Sean Santiago

THE “QUIETLY KINKY” ART OF HANNAH LEVY

By Whitney Mallett

S H U I: Chinatown’s First Queer Spa

By Tess Edmonson

ROBIN MIDDLETON’S REMARKABLE EAST VILLAGE HAVEN FOR BOOKS

By Pierre Alexandre de Looz

WINTER COZY: PERFORMANCES AND FURNITURE AT AMERICAN MEDIUM

By Whitney Mallett

2017: ANOTHER YEAR OF BIENNIAL FEVER

By Andrew Ayers

SPACE HIGH: THE SUPERSENSORY SOUND ART OF HAROON MIRZA

By Alice Bucknell

CHALET DE CHARME: UGO RONDINONE AND JOHN GIORNO’S ALPINE REFUGE

By Aoïfe Rosenmeyer

EIGHT CREATIVES TALK ABOUT THE PARADOX OF COMFORT

By PIN–UP

FORENSIC ARCHITECTURE: AN INTERVIEW WITH EYAL WEIZMAN

By Andrew Ayers

CRAFT CATCH UP: NORWEGIAN ARTISTS ELLEN GRIEG AND ELISABETH VON KROGH

By Whitney Mallett

FIELD EXPERIMENTS: HARDLY TOGETHER

By Drew Zeiba

HOT WING: The New Architecture and Design Gallery at the Art Institute of Chicago

By Maxwell Donnewald

PIN–UP 23, THE COMFORT ISSUE: LETTER FROM THE EDITOR

By Felix Burrichter

INTERVIEW WITH ARTIST DEBI CORNWALL ABOUT HER WORK IN GUANTANaMO BAY AND THE CONCEPT OF COMFORT IN CAPTIVITY

By Drew Zeiba

BOOK CLUB: El Internacional (1984–1986): New York’s Archaeological Sandwich

By Natalia Torija Nieto

POM-POM-PIDOU: FRANCESCO VEZZOLI REVERTS THE LEGENDARY PARISIAN MUSEUM INTO A FUN PALACE

By Andrew Ayers

BOOK CLUB: RAFAEL DE CÁRDENAS / ARCHITECTURE AT LARGE

By Jeppe Ugelvig

THE ARTIST EKTOR GARCIA SUBMITS TO NEVER BEING SATISFIED

By Sean Santiago

FAIR REVIEW: RECENT IMPRESSIONS FROM CHICAGO

By Jennifer Piejko

Book Club: Donald Judd Writings

By Maxwell Donnewald

MODERN RUINS: AN ARTIST’S TAKE ON MOSHE SAFDIE’S PUERTO RICAN FOREST HABITAT

By David Hartt

AT HOME WITH ART COLLECTOR VALERIA NAPOLEONE

By Julia Trotta

THE PIN–UP QUOTE: JON RAFMAN

ARCH CREEP: CONSIDERING 30 YEARS OF MUSICIAN MOMUS

By Lyndsy Welgos

CONCRETE POETRY: REVIVING EDWARD JAMES’S SURREALIST MEXICAN ESCAPE

By Mario Ballesteros

THE PIN–UP QUOTE: ELIAS SIME

DESIGN COLUMN #4: AMIE SIEGEL AND JUDDMENT DAY

By Pepa Shores

MODERN LIVING: A PERFORMANCE INSPIRED BY AVANT-GARDE COHABITATION IN THE SCHINDLER HOUSE

By Jennifer Piejko

FLESH FOR FANTASY: RECOVERING PIERO FORNASETTI’S EROTIC OEUVRE

By Tiffany Lambert

UNCANNY VALLEY: CONSIDERING LATE-CAPITALIST TECH AESTHETICS

By Jesse Seegers

CARMEN HERRERA, “FEMALE GENIUS”

By Linda Yablonsky

AVERY SINGER, “FEMALE GENIUS”

By Tess Edmonson

KAARI UPSON, “FEMALE GENIUS”

By Katya Tylevich

THE REAL STATE OF ISTANBUL: SERDAR BILGILI BELIEVES IN THE TRANSFORMATIVE POWER OF ART (AND BUSINESS)

By Sean Santiago

MARROW INTO MOXIE: ARTIST ANNE LIBBY COMPLICATES THE ANIMAL-MACHINE BINARY

By Jon Wang

MICKALENE THOMAS, “FEMALE GENIUS”

By Nicholas Boston

LENA HENKE, “FEMALE GENIUS”

By Amelia Stein

BYZANTINE BLUES: TURKEY MEETS BELGIUM AT THE EUROPALIA ARTS FESTIVAL

By Andrew Ayers

ARTIST JESSI REAVES, QUEEN OF SCRAP

By Julia Trotta

SAHRA MOTALEBI, “FEMALE GENIUS”

By Kevin Greenberg

DIANE SIMPSON, “FEMALE GENIUS”

By John Arthur Peetz

DADA ISSUES: INTERVIEW WITH ARTIST ADAM PENDLETON

By Kevin Greenberg

A SHORT INTERVIEW WITH ARTIST THOMAS DEMAND

By Kevin Greenberg

DESIGN COLUMN #1: DETROIT VANGUARD

By Pepa Shores

BEAUTY IN THE TIME OF VIOLENCE: THE ART OF JUSTIN BERRY

By David Andrew Tasman

INTO THE BLUE: THE VIBRANT HUES OF VILLA MAJORELLE

By Tal Schori

PRADA, MINA, MONGIARDINO: INTERVIEW WITH FRANCESCO VEZZOLI ABOUT THE CITY OF MILAN

By Felix Burrichter

TOTAL ORDER: AN ODE TO SYMMETRY

By Tom Hancocks

INSIDE THE PARIS PAD OF GALLERIST DANIELE BALICE

By Alexandra Marshall

THE BEAUTY OF BODEGA FLOWERS THROUGH THE LENS OF Scheltens AND Abbenes

By Jeanne-Salomé Rochat

CALIFORNIA ARCHITECTURE INSPIRES RON NAGLE’S TINY SCULPTURES

By Melissa Gamwell

THE PIN–UP QUOTE: NATHALIE DU PASQUIER

ROBERT STADLER AND ALEXIS VAILLANT’s quiz ASKS ART OR DESIGN?

By Sophia Choi

DECOR MEETS FINE ART IN AN EXHIBITION AT THE VILLA SAUBER

By Alessandro Bava

Michael Hirschbichler’S DYSTOPIAN FANTASIES

By Jesse Coburn

THE PIN–UP QUOTE: MATTHEW BARNEY

STRAY LIGHT: THE JOHNSON PUBLISHING COMPANY IN CHICAGO, AS SEEN BY ARTIST DAVID HARTT

By Doug Boatwright

IMAGINARY VIEW: A PORTFOLIO BY RACHEL THOMAS AND DAN TOBIN SMITH

By Kevin Greenberg

THE PIN–UP QUOTE: DANIEL ARSHAM

PLANET GRCIC: IMAGINING THE FUTURE WITH TOMORROW’S DESIGN CLASSICS

By Shawn Maximo

BOOK CLUB: AUTO-DESTRUCTIVE ART

By Alessandro Bava

PILLARS OF SOCIETY: Nordic Architecture's (Stifling) Comfort Zone

By James Taylor-Foster