-
Dutch Duo Freeling Waters Breathes New Life Into Classic Vernacular
By Emmett Byrne
-
Faith, Place and Chance: Rose Salane’s Lost Objects Fill in the Gaps of History
By Samantha Ozer
-
CAPE HOPE: Artist Angelo Plessas creates Digital-Detox Wear for Acne Studios
By Felix Burrichter
-
INTERVIEW: Carson Chan on Climate Crisis and the Challenge of the Architectural Canon
By David Tasman
-
A New Look for the Museum of Contemporary Art San Diego, courtesy Selldorf Architects
By Whitney Mallett
-
SHELLS AND SKINS: The Body Is a Home at Del Vaz Projects
By Samantha Ozer
-
Speaking in Tongues: on the Swiss Institute’s Sable Elyse Smith-Curated Annual Architecture and Design Series
By Almog Cohen-Kashi
-
DETROIT BAROQUE: On Chris Schanck’s Corroded Majesty
By Brecht Wright Gander
-
ALMOST 100: Happy Birthday Agustín Hernández
By Suleman Anaya
-
INTERVIEW: The Inner Architecture of David Salle
By Emmanuel Olunkwa
-
At Sized in Los Angeles, Vessels Is a Metaphor
By Emily R. Pellerin
-
Hollow Insides, Bodily Outsides: Peter Schlesinger Tours Us Around His Ceramic Vessels
By Osman Can Yerebakan
-
META MEMPHIS: The Little Known Story of Memphis’s Second Coming
By Alec Recinos
-
IN PRAISE OF SHADOWS: Paola Jose wants us to Reconnect with Darkness
By Evan Moffitt
-
TOXIC POSITIVITY: The Optimism Bubbles of Tech’s New Pioneers
By Drew Zeiba
-
THE WORLD AROUND 2022: Tadao Ando, Miriam Hillawi Abraham, Ursula Biemann, and Many More
By PIN–UP
-
New York 1980: Thierry Mugler Style
By Joe Disponzio
-
ISLAND FIXTURE: LIGHTING DESIGNER PETER STAPLES
By Michael Bullock
-
What Artist Brie Ruais Knows – And Still Doesn’t Know – About Being in a Body
By Emily R. Pellerin
-
RICARDO BOFILL: Architecture’s Dazzling Chameleon Reveals His Many Colors
By Felix Burrichter
-
INTERVIEW: Artist Sadie Barnette on Swagger, Surveillance, and Sofas from the Future
By Mimi Zeiger
-
SPECIAL BOND: Interview with Noam DVIR and Daniel Rauchwerger
By Michael Bullock
-
COSMIC HOUSE: A Visual Journey of a Future Past
By Alice Bucknell
-
ARGO FACTORY: Tehran’s First Contemporary Art Museum Since the Revolution
By Ian Volner
-
Driving the Human: How Scientists, Artists, Architects, and Poets are Coming Up With Creative Solutions to Climate Change
By Andrew Ayers
-
SWEET SUBVERSIONS: DIS Curates the Biennale de l’Image en Mouvement in Geneva
By Drew Zeiba
-
Toilet Paper Holders Are Given an Art and Design Makeover in Chinatown
By Keegan Brady
-
THE OTHER BARRAGÁN: An Exclusive Victor Barragán PIN–UP Portfolio
By Michael Bullock
-
SO RATTAN: New Ways of Having Fun with One of Humanity’s Oldest Materials
By Camille Okhio
-
JUNKYARD EMPIRE: Philippe Malouin Makes Furniture from Scavenged Steel
By Drew Zeiba
-
Mind the Snake: Elmgreen and Dragset’s Dystopian Debut at Pace Gallery
By Osman Can Yerebakan
-
INTERVIEW: 80s Scene Queen Colleen Weinstein On Designing Nightclub Fantasies
By Whitney Mallett
-
DATA RECOVERY: Digital Archiving And Obsolescence
By Drew Zeiba
-
MILAN UNDERGROUND: Objects Tour The European Capital of Design’s Iconic Subway
By Francesco Nazardo
-
LAST CALL: Is Christo and Jeanne-Claude’s Wrapped Arc a Triumph?
By Andrew Ayers
-
SYMPHONY MAJOR: Sean Desiree’s Interactive Sculpture Counters Classical Music’s Exclusion
By Tash Nikol
-
INTERVIEW: Design Studio Formafantasma On Their Material Investigations And Return To Italy
By Hans Ulrich Obrist
-
EXQUISITE BOURGEOISIE: The Romance Of Disenchantment In The Homes Of Milan’s Creative Class
By Federico Sargentone
-
ANCIENT ALIENS: What The Acámbaro Hoax Says About Mexican Identity
By Mario Ballesteros
-
VIDEO: Caribbean Architecture Explored Through its Own Material History
By Sucking Salt
-
30 OBJECTS: A Survey Show To Define Design In The First Two Decades Of The 21st Century
By PIN–UP
-
BOOK CLUB: Race and Modern Architecture Confronts The Legacy Of White Supremacy
By Janelle Zara
-
INTERVIEW: Manuela Soto Sosa On Her Anime-Inspired Home Drop And Maximalist Interior Design
By Whitney Mallett
-
PIN–UP “LEGACY” ISSUE: LETTER FROM THE EDITOR
By PIN–UP
-
BASIC INSTINCTS: How Instagram Is Changing The Way We Decorate Our Homes
By Taylore Scarabelli
-
INTERVIEW: Artist And Writer Aria Dean On Irony, Legacy, and her Interest in Postmodern Architecture
By Becky Akinyode
-
AGENTS PROVOCATEURS: Applied Arts Is Redefining The Concept Of A Creative Agency
By Marco Estrella
-
INTERVIEW: Sophia Al-Maria, Self-described Time Traveler with a Starchitect-Centered Screenplay on the Way
By Hans Ulrich Obrist
-
Material Promiscuity: Objects USA and the Evolution of American Craft
By Jesse Dorris
-
INTERVIEW: Ibiye Camp On Her Hyrbid Practice Materializing Data And Mapping Public Space
By Jareh Das
-
INTERVIEW: Curator Alia Farid On The Space Between Classrooms And New Types Of Learning
By Drew Zeiba
-
INTERVIEW: Artist-Anthropologist Maya Stovall On Detroit Urbanism And Liquor Store Theatre
By Alice Bucknell
-
INSIDE THE BUBBLE: A Eulogy For Instagram, Inflatables, And The Innocence Of The 2010s
By Jesse Seegers
-
Alice Bucknell On E-Z Kryptobuild, Her Fictional Ponzi Scheme Selling Architecture For The Apocalypse
By Drew Zeiba
-
ATLANTIS RISING: Ellex Swavoni’s Sci-Fi Monument To Atlanta’s Black Heroines
By Tash Nikol
-
INTERVIEW: Artist David Hartt Discusses Place, Race, and Black Authorship
By Felix Burrichter
-
EDIBLE ARRANGEMENTS: How Fruit And Food Packaging Inspire Jonathan Trayte’s Sculptural Furniture
By Brecht Wright Gander
-
INTERVIEW: Artist Kandis Williams Is Giving History A Hard Read
By Chloe Wayne and Mahfuz Sultan
-
Artist Genevieve Goffman Makes Fantasy Architectural Models To Explore History’s Complexities
By Matt Shaw
-
THE LATE HESTER DIAMOND’S CLASHING COLLECTION OF POP FURNITURE AND OLD MASTERS
By Robert McKenzie
-
HOUSE PARTY: Alex da Corte Deconstructs the American Media Psyche in Shanghai
By Samuel Anderson
-
GRAPHIC LANGUAGE: Ten Iconic Examples Of ActivisM Through Design
By Jerome Harris
-
INTERVIEW: The Late Nanda Vigo, Radical Artist And Designer Light-Years Ahead Of Her Time
By Hans Ulrich Obrist
-
INTERVIEW: Curator Maite Borjabad on Designs for Different Futures
By Samantha Ozer
-
BOOK CLUB: In Search Of African American Space
By Oluwatobiloba Ajayi
-
MONDO MARI: Favorites From The Late Artist and Designer Enzo Mari’S Oeuvre
By Adam Charlap Hyman
-
INTERVIEW: Akeem Smith On Recreating The Architecture Of Jamaican Dancehall
By Felix Burrichter
-
FAIR GAME: Sky Is A Virtual World Designed To Cultivate Kindness And Collectivity
By Monica Uszerowicz
-
BOOK CLUB: A Not-So-Gossipy Study of The Arensbergs’ Art CollEction And Hollywood Home
By Robert McKenzie
-
GREEN ROOM: The Planter Show Organized By Fort Makers Design Studio
By Karina Encarnación
-
Artist Laura Welker Makes Dollhouses For Her Strange Universe Of Objets D’Arts
By Whitney Mallett
-
LEARNING CURVE: Faye Toogood Explores Truth and Knowing in Her New Exhibition
By Camille Okhio
-
INTERVIEW: Liz Hopkins On Their Clit-Shaped Desk, Womb-Like Seating, And Reclaiming Lesbian Pulp
By Mekala Rajagopal
-
SPECIAL ISSUE: A Collector’s Edition Of PIN–UP By Pim Top
By PIN–UP
-
INTERVIEW: Joar Nango On Indigenous Architectures And Slippery Identities
By Mimi Zeiger
-
FABRIC OF LIFE: Kvadrat invites 28 Designers to Reimagine Knits
By Jesse Dorris
-
DESIGN STORY: Sunflowers Are Fine
By Pim Top
-
INTERVIEW: Design Duo Soft Baroque from London On Their Signature Absurdism
By Jeppe Ugelvig
-
INTERVIEW: Designer Peter Mabeo On The Power of Human Connections and African Design
By Karina Encarnación
-
GARBAGE COLLECTOR: Artist And Designer Nick DeMarco On Recycled Plastic Pleasures
By Nathan Taylor Pemberton
-
GLORIA KISCH: Remembering The Late Artist’s Functional Steel Sculpture
By Jesse Dorris
-
CHRISTO AND JEANNE-CLAUDE: A Posthumous Paris Rendezvous at the Pompidou
By Andrew Ayers
-
NOGUCHI’S MIDWESTERN MOONSCAPE: From Magic Chef To A U-Haul Center
By Karina Encarnación
-
LETTER: In Support of New York Nightlife
By Felix Burrichter
-
INTERVIEW: Artist Theresa Chromati On Complexity, Intuition, and Public Art
By Abdu Ali
-
THE MODERN SHOWER: From Prison Control To Suburban Purity
By Olivia Erlanger
-
INTERVIEW: Photographer Elliott Jerome Brown Jr. Talks Interior Lives
By Tony Jackson Jr.
-
AROUND THE PROTEAN TABLE: From Judy Chicago to changing notions of Digital Era Connection
By Rose Higham-Stainton
-
CITY WRITER: Interview with Visual Poet Renee Gladman
By Drew Zeiba
-
Design Genre-Busting In Brussels: One Fair and Three Shows
By Andrew Ayers
-
FOLKS ON CHAIRS: African-American Home Life As Seen Through the Lens of Art
By Tiana Webb Evans
-
WILLO PERRON PRESENTS: The Sun, Agent of Renewal and Destruction
By PIN–UP
-
CRACK UP — CRACK DOWN: Ljubljana Biennial Curated By Slavs And Tatars
By Jesse Seegers
-
TANNING: The Fluctuating Fashions of Indoor and Outdoor Bronzing
By Taylore Scarabelli
-
INTERDEPENDENCE: A Short Film about the Swedish Response to the COVID-19 Pandemic
By PIN–UP
-
DANCE AND ARCHITECTURE: A Dancer Selects Five Of The Most Inspiring Sets
By Eva Alt
-
HOTHOUSES: Architecture And The Onslaught Of Heat Fatigue
By David Huber
-
INTERVIEW: Artist Lauren Halsey On Her South Central-Inspired Afrofuturism
By Mimi Zeiger
-
The Politics Behind Sharona Franklin’s Sculptural Jelly Cakes
By Vivien Lee
-
Jean-Jacques Lequeu, Fantasy Builder or Parafictional hoax?
By Andrew Ayers
-
INTERVIEW: Artist Sarah Zapata On Ugly Colors AND Fetishizing Yarn
By Mekala Rajagopal
-
INTERVIEW: Artist Kayode Ojo On Class, Fakes, and Aspirational Glamour
By Rafael de Cárdenas
-
MIRAGE: Artist Doug Aitken’s Reflections On the Ranch-Style Home
By Whitney Mallett
-
MONUMENTAL: Nona Faustine Reveals Historical DistortionS In Public Space
By Mekala Rajagopal
-
A Show at the Schindler House Harnesses The Soft Power Of Plural Storytelling
By Emma Leigh Macdonald
-
INTERVIEW: Artist Ilana Harris-Babou On Power Dynamics Of Domestic Aspirations
By Jeremy O. Harris
-
Artist Jacolby Satterwhite’s Euphoric Universe Traverses Digital and Physical REALMS
By Mahfuz Sultan
-
INTERVIEW: Artist David Hartt Transforms A Frank Lloyd Wright Synagogue
By Drew Zeiba
-
INTERVIEW: Dayglo Legend Peter Halley On Architectural Installations And Index Magazine
By Michael Bullock
-
RESIDENT ALIENS: Victor Vasarely Seen Through New Eyes
By Andrew Ayers
-
Cruising Pavilion considers the Architecture of Queer Sex, from Grindr to Glory Holes
By Michael Bullock
-
Artist Duo Zheng Mahler Studies Architectural Utopia via Cyberpunk Anthropology
By Jeppe Ugelvig
-
GUNTA STÖLZL, UNBEWEAVABLE BAUHAUS BOSS OF TEXTILES
By Whitney Mallett
-
A Documentary About Garages Explores Unorthodox Suburban Identity
By Drew Zeiba
-
NOTHING IN MOMA: Abraham Adams’s Exaltation of Absence
By Drew Zeiba
-
INTERVIEW: Shumon Basar Talks “Age Of You” Exhibition And The Extreme Self
By Eva Munz
-
BALLANTINE’S AND NOKIA PHONES: Artist Paul Kopkau Explores Consumerist Desire And Despair
By Andrew Durbin
-
TIME FIGHTERS: BLACK QUANTUM FUTURISM AT THE CHICAGO ARCHITECTURE BIENNIAL
By Drew Zeiba
-
INTERVIEW: ARTIST JIMMY ROBERT ON THE BODY, SPACE, AND POWER
By Harry Burke
-
SEEING AND BEING SEEN: A Cinematic Diptyque Explores living online
By Drew Zeiba
-
INTERVIEW: Artist Livia Corona Benjamin Explores Architectural Traces of Rural Policy in Mexico
By Natalia Torija Nieto
-
PLEXI DEVIL: The Artist Raque Ford Claims Her Space Through Sculpture
By Paul Kopkau
-
WHITE MALE PROBLEM: A MoMA SALON ON INSTITUTIONAL INEQUALITY
By Jesse Seegers
-
BLOOM: A Machine Elf’s Guide to Desert Flora
By Carlos Sáez
-
Architect Anne Holtrop Finds a New Lease on Life in the Desert
By Shumi Bose
-
CALCULATED DISORDER: Carsten Höller Puts On A Delirious Show in Mexico
By Drew Zeiba
-
ERRATA: A Design Exhibition About Books and Mistakes
By Natalia Torija Nieto
-
Design Duo Messgewand Is Giving Furniture a French Twist
By Alice Bucknell
-
ENCOUNTERS: A First Guest Curated Show at Cristina Grajales Gallery
By Natalia Torija Nieto
-
VENICE 2019: The Rise of the Urban Biennale
By Vere van Gool
-
TRACES, ECHOES, SKINS: Heidi Bucher’s Meditations On Memory
By Drew Zeiba
-
MILANESE MAESTRO: Interview With Architect Umberto Riva on the Creative Power of Mistakes
By Hans Ulrich Obrist
-
BACK TO THE ROOTS: Interview With Storefront’s New Chief Curator José Esparza Chong Cuy
By Drew Zeiba
-
MEMORY LANE: An Exhibition about Design, Childhood, and Nostalgia
By Pierre Alexandre de Looz
-
INTERVIEW: Eric N. Mack, the New York Artist Who Paints with Textiles
By Mahfuz Sultan
-
IDEASCITY NEW ORLEANS: A State of Exuberant Hybridity
By Drew Zeiba
-
DIG: A VOYAGE INTO The Hand Dug Desert Caves of RA PAULETTE
By Mimi Zeiger
-
Every Object Tells A Story: Interview with Curator Alexandra Cunningham Cameron
By Drew Zeiba
-
Glenn Adamson’s Favorite Objects and Things
By Glenn Adamson
-
Jessi Reaves’s New Body of Work
By Tess Edmonson
-
ROCK STARS: Chen Chen and Kai Williams’s new Mineral Explorations
By Drew Zeiba
-
FULLY ENLARGE: The Sensory Bonanza of Designer Audrey Large
By Alice Bucknell
-
INTERVIEW: IdeasCity Curator Mitch McEwen on New Orleans and Fruitful Speculations
By Drew Zeiba
-
LAND ARTISTIC: Yorkshire Sculpture Park’s New Visitor Center by Feilden Fowles
By George Kafka
-
Decalogue: The Vision behind Visionnaire
By Felix Burrichter
-
ISLAND GLOW: Michael Anastassiades Makes a Big Show in Nicosia
By Andrew Ayers
-
INTERVIEW: “Daddy” Playwright Jeremy O. Harris On Beauty, Pools, and Trauma
By Felix Burrichter
-
TURNING TABLES: Filip Samuel Berg Honors Design’s Forgotten Typology
By Jeppe Ugelvig
-
Artist Theaster Gates On Beetle-Damaged Ash Trees and Urban Catastrophe
By Whitney Mallett
-
F-Architecture and the Hymen Industrial Complex
By Annette Lin
-
The Marbled Approximations of the Artist Lauren Clay
By Drew Zeiba
-
BOOK CLUB: The Notional Architectures of Bodys Isek Kingelez
By Pierre Alexandre de Looz
-
HUTS FOR HANDS: Fragments of an It-Narrative in Nano
By Emma McCormick-Goodhart
-
Bolivian architect Freddy Mamani interpreted by Peruvian Artist Jonathan Castro
By Thom Bettridge
-
WELCOME TO THE SCROLLHOUSE
By Taylore Scarabelli
-
FAMILIAR PATTERNS: The Origins of the Common Domestic Doily
By Eva Munz
-
CHARLOTTE’S DARK WEB
By Micaela Durand
-
MATTER IS LIGHT: Getting Lost with Per Kirkeby at Château La Coste
By Andrew Ayers
-
PIN–UP EXCLUSIVE: Skype William’s “HOME” Mix For The New Year
By Tony Jackson Jr.
-
NOTES ON A SCANDAL: Interview with Kimberli Meyer, Former Director of Long Beach’s University Art Museum
By Mimi Zeiger
-
The Visual Mixtapes of Michael Dayton Hermann Tap Into the Collective Media Memory Space
By Drew Zeiba
-
BOYFRIEND MATERIAL: A Studio Visit with Thomas Barger
By Efe Ramirez
-
INTERVIEW WITH FUNCTIONAL ART CO-FOUNDERS JAVIER PERES and BENOÎT WOLFROM
By Felix Burrichter
-
KNOT APPROPRIATE: Artist Christen Mooney’s “Tapestries” Explore Issues of Appropriation and Fetishization
By Elliott Jerome Brown Jr.
-
Real Estate Collages by the artist Camiel Duytschaever and the Strangeness of the American Interior
By Drew Zeiba
-
ABMB AL FRESCO: A Miami Dinner experience with Telfar, PIN–UP, and Swiss Institute
By PIN–UP
-
SHAPED BY CULTURE: Ceramicist Zizipho Poswa Embraces the Past Through Large Scale Works
By Tracy Lynn Chemaly
-
Interview: Jacolby Satterwhite on How Video Games, Art History, and Sleep Deprivation Inspire His 3D Interiors
By Michael Bullock
-
EXHIBITION REVIEW: 44 Low Resolution Houses
By Michaela Friedberg and Carly Richman
-
DESIGN STORY: TELFAR LOUNGE
By Thomas Albdorf
-
INTERVIEW with MARTHA ROSLER, The Artist Who Speaks Softly but Carries a Big Shtick
By Stephanie Murg
-
SUBURBICIDE: Remote Drone Warfare, Mental Health, and the Suburban American Dream
By Nicholas Korody
-
Interview: The Brave New World of Autistic ARCHITECTURAL Artist William Scott
By Michael Bullock
-
YUGOTOPIA: The Glory Days of Yugoslav Architecture On Display
By David Huber
-
Interview with Jay Ezra, Co-Founder of ANNEX Gallery in Los Angeles
By Drew Zeiba
-
ECCE HOMO: In Venice An Exhibition Hopes to save Europe through Craftsmen
By Andrew Ayers
-
A 35mm Throwback to Storefront’S 24 X 24 X 24 Summer Solstice
By Antwan Duncan
-
SWISS CONGENIALITY: Interview with Annabelle Selldorf and Swiss Institute director Simon Castets
By Felix Burrichter
-
ESSAY: The Eternal Return of the Primitive Hut
By Shumon Basar
-
REVIEW: READYMADES BELONG TO EVERYONE at New York’s Swiss Institute
By Drew Zeiba
-
INTERVIEW with Artist Suki Seokyeong Kang about Shape, Form, Weight, And Space
By Jeppe Ugelvig
-
The Art of Daniel Boudinet, or the City at Cibachrome Cruising Speed
By Andrew Ayers
-
INTERVIEW: Odile Decq on Risk-taking, Rule Bending, and Gender Constraints
By Aurélien Gillier
-
Model Redux at BronxArtSpace: Reviving the Participatory Community
By Vivien Lee
-
DESIGN STORY: Home Jewelry
By Vincent Dilio
-
REBUS PLAY: A Book Of Visual Puzzles By Artist Bela Borsodi
By Felix Burrichter
-
MEAT MARKET MEMORIES: Paul Haacke on Growing Up Alongside the Hudson River Piers
By Paul Haacke
-
BOOK CLUB: Snarkitecture, Architecture’s Excavation Artists
By Stephanie Murg
-
ENTIRELY OF THE MIND: The Drawings of Pezo von Ellrichshausen
By Daniel Sherer
-
BASEL 2018: A selective review of Barns, Bars, and other Sensations
By Jennifer Piejko
-
Amateur Hour: Studio Visit With Sigve Knutson
By Sean Santiago
-
COS PLAY: Karin Gustafsson and the Soft Power of Art and Architecture
By Natalia Torija Nieto
-
Peggy Guggenheim, Inadvertent Patron Of Avant-garde Architecture
By David Michon
-
BOOK CLUB: Grafton Architects and the Craft of Making Space
By Kevin Greenberg
-
WET MAGAZINE: Bathing to the Next Level
By Tiffany Lambert
-
MENTAL FURNITURE: The Gray Zone Between Functional Sculpture and Nonfunctional Design
By Marc Matchak
-
STOCK OPTIONS: A Taxonomy of Construction Materials Turned Into Architectural Portraits
By Laida Aguirre
-
The Hybrid Preternatural Works of Anna Uddenberg
By Alex Bennett
-
PORTRAIT: MEET MARY CERUTI, DIRECTOR OF NEW YORK’S SCULPTURE CENTER
By Jeppe Ugelvig
-
The Baroque Bitchiness of Pablo Bronstein
By Alice Bucknell
-
DRAWN TO LIFE: The Early Work of Arakawa and Gins
By Nolan Boomer
-
POWER TOPS: Couches and Top Models
By Zachary Rose
-
VILLA DORANE: Ettore Sottsass Brings A Frisky Moment to the South Of France
By Johnny Graf
-
BUSH ERA: Finding Solace in the Australian Outback
By Stephen Todd
-
THE PERFECT CUBE: Matt Tyrnauer Remembers Gore Vidal’s La Rondinaia
By Matt Tyrnauer
-
CLOUD FORMATIONS: Climate Change, Diaspora Theory, and the Internet
By Carson Chan
-
LIFE CYCLE: A Coming of Age via Fashion
By Tamar Shafrir
-
ARCHIVO MEXICO: Interview With Mario Ballesteros on Rescuing Mexico's Architectural Heritage
By Vivien Lee
-
CHRIS SCHANCK, INVENTOR OF ALUFOIL, PAYS HOMAGE TO THE GARDENS OF DETROIT’S BANGLATOWN IN HIS FIRST SOLO SHOW
By Michael Bullock
-
WAKE UP CALL: Architectural Comfort in the Age of Passivity
By Pol Esteve
-
DESIGN STORY: ALL OF THE LIGHTS
By Philippe Jarrigeon
-
PILLOW TALK: THE BED AS A PALIMPSEST FOR THE PSYCHE
By Evan Moffitt
-
CALL OF THE ALPS: NOMAD, A COLLECTIBLE DESIGN FAIR IN ST. MORITZ
By Dan Thawley
-
WHEN ARCHITECTS DESIGN FOR THE HOME: Two Current Exhibitions Take Stock
By Tiffany Lambert
-
GHOST ON THE HIGHWAY: ALLAN D’ARCANGELO’S HAUNTING AMERICANA
By Alice Bucknell
-
INTERVIEW WITH SCULPTOR SARA FLYNN ABOUT HER PORCELAIN FRIENDS
By Felix Burrichter
-
THE MASTER AND FORM: Brendan Fernandes’ Exploration of Space, People, and Power
By Sean Santiago
-
THE “QUIETLY KINKY” ART OF HANNAH LEVY
By Whitney Mallett
-
S H U I: Chinatown’s First Queer Spa
By Tess Edmonson
-
ROBIN MIDDLETON’S REMARKABLE EAST VILLAGE HAVEN FOR BOOKS
By Pierre Alexandre de Looz
-
WINTER COZY: PERFORMANCES AND FURNITURE AT AMERICAN MEDIUM
By Whitney Mallett
-
2017: ANOTHER YEAR OF BIENNIAL FEVER
By Andrew Ayers
-
SPACE HIGH: THE SUPERSENSORY SOUND ART OF HAROON MIRZA
By Alice Bucknell
-
CHALET DE CHARME: UGO RONDINONE AND JOHN GIORNO’S ALPINE REFUGE
By Aoïfe Rosenmeyer
-
EIGHT CREATIVES TALK ABOUT THE PARADOX OF COMFORT
By PIN–UP
-
FORENSIC ARCHITECTURE: AN INTERVIEW WITH EYAL WEIZMAN
By Andrew Ayers
-
CRAFT CATCH UP: NORWEGIAN ARTISTS ELLEN GRIEG AND ELISABETH VON KROGH
By Whitney Mallett
-
FIELD EXPERIMENTS: HARDLY TOGETHER
By Drew Zeiba
-
HOT WING: The New Architecture and Design Gallery at the Art Institute of Chicago
By Maxwell Donnewald
-
PIN–UP 23, THE COMFORT ISSUE: LETTER FROM THE EDITOR
By Felix Burrichter
-
INTERVIEW WITH ARTIST DEBI CORNWALL ABOUT HER WORK IN GUANTANaMO BAY AND THE CONCEPT OF COMFORT IN CAPTIVITY
By Drew Zeiba
-
BOOK CLUB: El Internacional (1984–1986): New York’s Archaeological Sandwich
By Natalia Torija Nieto
-
POM-POM-PIDOU: FRANCESCO VEZZOLI REVERTS THE LEGENDARY PARISIAN MUSEUM INTO A FUN PALACE
By Andrew Ayers
-
BOOK CLUB: RAFAEL DE CÁRDENAS / ARCHITECTURE AT LARGE
By Jeppe Ugelvig
-
THE ARTIST EKTOR GARCIA SUBMITS TO NEVER BEING SATISFIED
By Sean Santiago
-
FAIR REVIEW: RECENT IMPRESSIONS FROM CHICAGO
By Jennifer Piejko
-
Book Club: Donald Judd Writings
By Maxwell Donnewald
-
MODERN RUINS: AN ARTIST’S TAKE ON MOSHE SAFDIE’S PUERTO RICAN FOREST HABITAT
By David Hartt
-
AT HOME WITH ART COLLECTOR VALERIA NAPOLEONE
By Julia Trotta
-
THE PIN–UP QUOTE: JON RAFMAN
-
THE NEW WORLD OF LINA BO BARDI: HOMAGE TO ONE OF BRAZIL’S MOST IMPORTANT ARCHITECTS
By Ouida Angelica Biddle
-
ARCH CREEP: CONSIDERING 30 YEARS OF MUSICIAN MOMUS
By Lyndsy Welgos
-
CONCRETE POETRY: REVIVING EDWARD JAMES’S SURREALIST MEXICAN ESCAPE
By Mario Ballesteros
-
THE PIN–UP QUOTE: ELIAS SIME
-
DESIGN COLUMN #4: AMIE SIEGEL AND JUDDMENT DAY
By Pepa Shores
-
MODERN LIVING: A PERFORMANCE INSPIRED BY AVANT-GARDE COHABITATION IN THE SCHINDLER HOUSE
By Jennifer Piejko
-
FLESH FOR FANTASY: RECOVERING PIERO FORNASETTI’S EROTIC OEUVRE
By Tiffany Lambert
-
UNCANNY VALLEY: CONSIDERING LATE-CAPITALIST TECH AESTHETICS
By Jesse Seegers
-
CARMEN HERRERA, “FEMALE GENIUS”
By Linda Yablonsky
-
AVERY SINGER, “FEMALE GENIUS”
By Tess Edmonson
-
KAARI UPSON, “FEMALE GENIUS”
By Katya Tylevich
-
THE REAL STATE OF ISTANBUL: SERDAR BILGILI BELIEVES IN THE TRANSFORMATIVE POWER OF ART (AND BUSINESS)
By Sean Santiago
-
MARROW INTO MOXIE: ARTIST ANNE LIBBY COMPLICATES THE ANIMAL-MACHINE BINARY
By Jon Wang
-
MICKALENE THOMAS, “FEMALE GENIUS”
By Nicholas Boston
-
LENA HENKE, “FEMALE GENIUS”
By Amelia Stein
-
BYZANTINE BLUES: TURKEY MEETS BELGIUM AT THE EUROPALIA ARTS FESTIVAL
By Andrew Ayers
-
ARTIST JESSI REAVES, QUEEN OF SCRAP
By Julia Trotta
-
SAHRA MOTALEBI, “FEMALE GENIUS”
By Kevin Greenberg
-
DIANE SIMPSON, “FEMALE GENIUS”
By John Arthur Peetz
-
DADA ISSUES: INTERVIEW WITH ARTIST ADAM PENDLETON
By Kevin Greenberg
-
A SHORT INTERVIEW WITH ARTIST THOMAS DEMAND
By Kevin Greenberg
-
DESIGN COLUMN #1: DETROIT VANGUARD
By Pepa Shores
-
BEAUTY IN THE TIME OF VIOLENCE: THE ART OF JUSTIN BERRY
By David Andrew Tasman
-
INTO THE BLUE: THE VIBRANT HUES OF VILLA MAJORELLE
By Tal Schori
-
PRADA, MINA, MONGIARDINO: INTERVIEW WITH FRANCESCO VEZZOLI ABOUT THE CITY OF MILAN
By Felix Burrichter
-
TOTAL ORDER: AN ODE TO SYMMETRY
By Tom Hancocks
-
INSIDE THE PARIS PAD OF GALLERIST DANIELE BALICE
By Alexandra Marshall
-
THE BEAUTY OF BODEGA FLOWERS THROUGH THE LENS OF Scheltens AND Abbenes
By Jeanne-Salomé Rochat
-
CALIFORNIA ARCHITECTURE INSPIRES RON NAGLE’S TINY SCULPTURES
By Melissa Gamwell
-
THE PIN–UP QUOTE: NATHALIE DU PASQUIER
-
ROBERT STADLER AND ALEXIS VAILLANT’s quiz ASKS ART OR DESIGN?
By Sophia Choi
-
DECOR MEETS FINE ART IN AN EXHIBITION AT THE VILLA SAUBER
By Alessandro Bava
-
Michael Hirschbichler’S DYSTOPIAN FANTASIES
By Jesse Coburn
-
THE PIN–UP QUOTE: MATTHEW BARNEY
-
STRAY LIGHT: THE JOHNSON PUBLISHING COMPANY IN CHICAGO, AS SEEN BY ARTIST DAVID HARTT
By Doug Boatwright
-
IMAGINARY VIEW: A PORTFOLIO BY RACHEL THOMAS AND DAN TOBIN SMITH
By Kevin Greenberg
-
THE PIN–UP QUOTE: DANIEL ARSHAM
-
PLANET GRCIC: IMAGINING THE FUTURE WITH TOMORROW’S DESIGN CLASSICS
By Shawn Maximo
-
BOOK CLUB: AUTO-DESTRUCTIVE ART
By Alessandro Bava
-
PILLARS OF SOCIETY: Nordic Architecture's (Stifling) Comfort Zone
By James Taylor-Foster