FAMILIAR PATTERNS: The Origins of the Common Domestic Doily

By Eva Munz

CHARLOTTE’S DARK WEB

By Micaela Durand

NOTES ON A SCANDAL: Interview with Kimberli Meyer, Former Director of Long Beach’s University Art Museum

By Mimi Zeiger

PIN–UP EXCLUSIVE: Skype William’s “HOME” Mix For The New Year

By Skype Williams

The Visual Mixtapes of Michael Dayton Hermann Tap Into the Collective Media Memory Space

By Drew Zeiba

MATTER IS LIGHT: Getting Lost with Per Kirkeby at Château La Coste

By Andrew Ayers

BOYFRIEND MATERIAL: A Studio Visit with Thomas Barger

By Efe Ramirez

INTERVIEW WITH FUNCTIONAL ART CO-FOUNDERS JAVIER PERES and BENOÎT WOLFROM

By Felix Burrichter

KNOT APPROPRIATE: Artist Christen Mooney’s “Tapestries” Explore Issues of Appropriation and Fetishization

By Elliott Jerome Brown Jr.

Real Estate Collages by the artist Camiel Duytschaever and the Strangeness of the American Interior

By Drew Zeiba

ABMB AL FRESCO: A Miami Dinner experience with Telfar, PIN–UP, and Swiss Institute

By PIN–UP

SHAPED BY CULTURE: Ceramicist Zizipho Poswa Embraces the Past Through Large Scale Works

By Tracy Lynn Chemaly

Interview: Jacolby Satterwhite on How Video Games, Art History, and Sleep Deprivation Inspire His 3D Interiors

By Michael Bullock

FOLKS ON CHAIRS: African-American Home Life As Seen Through the Lens of Art

By Tiana Webb Evans

EXHIBITION REVIEW: 44 Low Resolution Houses

By Michaela Friedberg and Carly Richman

DESIGN STORY: TELFAR LOUNGE

By Thomas Albdorf

INTERVIEW with MARTHA ROSLER, The Artist Who Speaks Softly but Carries a Big Shtick

By Stephanie Murg

SUBURBICIDE: Remote Drone Warfare, Mental Health, and the Suburban American Dream

By Nicholas Korody

Interview: The Brave New World of Autistic ARCHITECTURAL Artist William Scott

By Michael Bullock

YUGOTOPIA: The Glory Days of Yugoslav Architecture On Display

By David Huber

Interview with Jay Ezra, Co-Founder of ANNEX Gallery in Los Angeles

By Drew Zeiba

ECCE HOMO: In Venice An Exhibition Hopes to save Europe through Craftsmen

By Andrew Ayers

A 35mm Throwback to Storefront’S 24 X 24 X 24 Summer Solstice

By Antwan Duncan

SWISS CONGENIALITY: Interview with Annabelle Selldorf and Swiss Institute director Simon Castets

By Felix Burrichter

ESSAY: The Eternal Return of the Primitive Hut

By Shumon Basar

REVIEW: READYMADES BELONG TO EVERYONE at New York’s Swiss Institute

By Drew Zeiba

INTERVIEW with Artist Suki Seokyeong Kang about Shape, Form, Weight, And Space

By Jeppe Ugelvig

The Art of Daniel Boudinet, or the City at Cibachrome Cruising Speed

By Andrew Ayers

INTERVIEW: Odile Decq on Risk-taking, Rule Bending, and Gender Constraints

By Aurélien Gillier

Model Redux at BronxArt­Space: Reviving the Participatory Community

By Vivien Lee

DESIGN STORY: Home Jewelry

By Vincent Dilio

REBUS PLAY: A Book Of Visual Puzzles By Artist Bela Borsodi

By Felix Burrichter

MEAT MARKET MEMORIES: Paul Haacke on Growing Up Alongside Chelsea Piers

By Paul Haacke

BOOK CLUB: Snarkitecture, Architecture’s Excavation Artists

By Stephanie Murg

ENTIRELY OF THE MIND: The Drawings of Pezo von Ellrichs­hausen

By Daniel Sherer

BASEL 2018: A selective review of Barns, Bars, and other Sensations

By Jennifer Piejko

Amateur Hour: Studio Visit With Sigve Knutson

By Sean Santiago

COS PLAY: Karin Gustafsson and the Soft Power of Art and Architecture

By Natalia Torija Nieto

Peggy Guggenheim, Inadvertent Patron Of Avant-garde Architecture

By David Michon

BOOK CLUB: Grafton Architects and the Craft of Making Space

By Kevin Greenberg

WET MAGAZINE: Bathing to the Next Level

By Tiffany Lambert

MENTAL FURNITURE: The Gray Zone Between Functional Sculpture and Nonfunctional Design

By Marc Matchak

STOCK OPTIONS: A Taxonomy of Construction Materials Turned Into Architectural Portraits

By Laida Aguirre

The Hybrid Preternatural Works of Anna Uddenberg

By Alex Bennett

PORTRAIT: MEET MARY CERUTI, DIRECTOR OF NEW YORK’S SCULPTURE CENTER

By Jeppe Ugelvig

The Baroque Bitchiness of Pablo Bronstein

By Alice Bucknell

DRAWN TO LIFE: The Early Work of Arakawa and Gins

By Nolan Boomer

POWER TOPS: Couches and Top Models

By Zachary Rose

VILLA DORANE: Ettore Sottsass Brings A Frisky Moment to the South Of France

By Johnny Graf

BUSH ERA: Finding Solace in the Australian Outback

By Stephen Todd

THE PERFECT CUBE: MATT TYRNAUER REMEMBERS Gore Vidal’s Unlikely Italian Comfort Zone

By Matt Tyrnauer

CLOUD FORMATIONS: Climate Change, Diaspora Theory, and the Internet

By Carson Chan

LIFE CYCLE: A Coming of Age via Fashion

By Tamar Shafrir

ARCHIVO MEXICO: Interview With Mario Ballesteros on Rescuing Mexico's Architectural Heritage

By Vivien Lee

CHRIS SCHANCK, INVENTOR OF ALUFOIL, PAYS HOMAGE TO THE GARDENS OF DETROIT’S BANGLATOWN IN HIS FIRST SOLO SHOW

By Michael Bullock

WAKE UP CALL: Architectural Comfort in the Age of Passivity

By Pol Esteve

DESIGN STORY: ALL OF THE LIGHTS

By Philippe Jarrigeon

PILLOW TALK: THE BED AS A PALIMPSEST FOR THE PSYCHE

By Evan Moffitt

CALL OF THE ALPS: NOMAD, A COLLECTIBLE DESIGN FAIR IN ST. MORITZ

By Dan Thawley

WHEN ARCHITECTS DESIGN FOR THE HOME: Two Current Exhibitions Take Stock

By Tiffany Lambert

GHOST ON THE HIGHWAY: ALLAN D’ARCANGELO’S HAUNTING AMERICANA

By Alice Bucknell

INTERVIEW WITH SCULPTOR SARA FLYNN ABOUT HER PORCELAIN FRIENDS

By Felix Burrichter

THE MASTER AND FORM: Brendan Fernandes’ Exploration of Space, People, and Power

By Sean Santiago

THE “QUIETLY KINKY” ART OF HANNAH LEVY

By Whitney Mallett

S H U I: Chinatown’s First Queer Spa

By Tess Edmonson

ROBIN MIDDLETON’S REMARKABLE EAST VILLAGE HAVEN FOR BOOKS

By Pierre Alexandre de Looz

WINTER COZY: PERFORMANCES AND FURNITURE AT AMERICAN MEDIUM

By Whitney Mallett

2017: ANOTHER YEAR OF BIENNIAL FEVER

By Andrew Ayers

SPACE HIGH: THE SUPERSENSORY SOUND ART OF HAROON MIRZA

By Alice Bucknell

CHALET DE CHARME: UGO RONDINONE AND JOHN GIORNO’S ALPINE REFUGE

By Aoïfe Rosenmeyer

EIGHT CREATIVES TALK ABOUT THE PARADOX OF COMFORT

By PIN–UP

FORENSIC ARCHITECTURE: AN INTERVIEW WITH EYAL WEIZMAN

By Andrew Ayers

CRAFT CATCH UP: NORWEGIAN ARTISTS ELLEN GRIEG AND ELISABETH VON KROGH

By Whitney Mallett

FIELD EXPERIMENTS: HARDLY TOGETHER

By Drew Zeiba

HOT WING: The New Architecture and Design Gallery at the Art Institute of Chicago

By Maxwell Donnewald

PIN–UP 23, THE COMFORT ISSUE: LETTER FROM THE EDITOR

By Felix Burrichter

INTERVIEW WITH ARTIST DEBI CORNWALL ABOUT HER WORK IN GUANTANaMO BAY AND THE CONCEPT OF COMFORT IN CAPTIVITY

By Drew Zeiba

BOOK CLUB: El Internacional (1984–1986): New York’s Archaeological Sandwich

By Natalia Torija Nieto

POM-POM-PIDOU: FRANCESCO VEZZOLI REVERTS THE LEGENDARY PARISIAN MUSEUM INTO A FUN PALACE

By Andrew Ayers

BOOK CLUB: RAFAEL DE CÁRDENAS / ARCHITECTURE AT LARGE

By Jeppe Ugelvig

CITY WRITER: INTERVIEW WITH VISUAL POET RENEE GLADMAN

By Drew Zeiba

THE ARTIST EKTOR GARCIA SUBMITS TO NEVER BEING SATISFIED

By Sean Santiago

FAIR REVIEW: RECENT IMPRESSIONS FROM CHICAGO

By Jennifer Piejko

Book Club: Donald Judd Writings

By Maxwell Donnewald

MODERN RUINS: AN ARTIST’S TAKE ON MOSHE SAFDIE’S PUERTO RICAN FOREST HABITAT

By David Hartt

AT HOME WITH ART COLLECTOR VALERIA NAPOLEONE

By Julia Trotta

THE PIN–UP QUOTE: JON RAFMAN

ARCH CREEP: CONSIDERING 30 YEARS OF MUSICIAN MOMUS

By Lyndsy Welgos

CONCRETE POETRY: REVIVING EDWARD JAMES’S SURREALIST MEXICAN ESCAPE

By Mario Ballesteros

THE PIN–UP QUOTE: ELIAS SIME

DESIGN COLUMN #4: AMIE SIEGEL AND JUDDMENT DAY

By Pepa Shores

MODERN LIVING: A PERFORMANCE INSPIRED BY AVANT-GARDE COHABITATION IN THE SCHINDLER HOUSE

By Jennifer Piejko

FLESH FOR FANTASY: RECOVERING PIERO FORNASETTI’S EROTIC OEUVRE

By Tiffany Lambert

UNCANNY VALLEY: CONSIDERING LATE-CAPITALIST TECH AESTHETICS

By Jesse Seegers

CARMEN HERRERA, “FEMALE GENIUS”

By Linda Yablonsky

AVERY SINGER, “FEMALE GENIUS”

By Tess Edmonson

KAARI UPSON, “FEMALE GENIUS”

By Katya Tylevich

THE REAL STATE OF ISTANBUL: SERDAR BILGILI BELIEVES IN THE TRANSFORMATIVE POWER OF ART (AND BUSINESS)

By Sean Santiago

MARROW INTO MOXIE: ARTIST ANNE LIBBY COMPLICATES THE ANIMAL-MACHINE BINARY

By Jon Wang

MICKALENE THOMAS, “FEMALE GENIUS”

By Nicholas Boston

LENA HENKE, “FEMALE GENIUS”

By Amelia Stein

BYZANTINE BLUES: TURKEY MEETS BELGIUM AT THE EUROPALIA ARTS FESTIVAL

By Andrew Ayers

ARTIST JESSI REAVES, QUEEN OF SCRAP

By Julia Trotta

SAHRA MOTALEBI, “FEMALE GENIUS”

By Kevin Greenberg

DIANE SIMPSON, “FEMALE GENIUS”

By John Arthur Peetz

DADA ISSUES: INTERVIEW WITH ARTIST ADAM PENDLETON

By Kevin Greenberg

A SHORT INTERVIEW WITH ARTIST THOMAS DEMAND

By Kevin Greenberg

DESIGN COLUMN #1: DETROIT VANGUARD

By Pepa Shores

BEAUTY IN THE TIME OF VIOLENCE: THE ART OF JUSTIN BERRY

By David Andrew Tasman

INTO THE BLUE: THE VIBRANT HUES OF VILLA MAJORELLE

By Tal Schori

PRADA, MINA, MONGIARDINO: INTERVIEW WITH FRANCESCO VEZZOLI ABOUT THE CITY OF MILAN

By Felix Burrichter

TOTAL ORDER: AN ODE TO SYMMETRY

By Tom Hancocks

INSIDE THE PARIS PAD OF GALLERIST DANIELE BALICE

By Alexandra Marshall

THE BEAUTY OF BODEGA FLOWERS THROUGH THE LENS OF Scheltens AND Abbenes

By Jeanne-Salomé Rochat

CALIFORNIA ARCHITECTURE INSPIRES RON NAGLE’S TINY SCULPTURES

By Melissa Gamwell

THE PIN–UP QUOTE: NATHALIE DU PASQUIER

ROBERT STADLER AND ALEXIS VAILLANT’s quiz ASKS ART OR DESIGN?

By Sophia Choi

DECOR MEETS FINE ART IN AN EXHIBITION AT THE VILLA SAUBER

By Alessandro Bava

Michael Hirschbichler’S DYSTOPIAN FANTASIES

By Jesse Coburn

THE PIN–UP QUOTE: MATTHEW BARNEY

STRAY LIGHT: THE JOHNSON PUBLISHING COMPANY IN CHICAGO, AS SEEN BY ARTIST DAVID HARTT

By Doug Boatwright

IMAGINARY VIEW: A PORTFOLIO BY RACHEL THOMAS AND DAN TOBIN SMITH

By Kevin Greenberg

THE PIN–UP QUOTE: DANIEL ARSHAM

PLANET GRCIC: IMAGINING THE FUTURE WITH TOMORROW’S DESIGN CLASSICS

By Leon Ransmeier

BOOK CLUB: AUTO-DESTRUCTIVE ART

By Alessandro Bava

PILLARS OF SOCIETY: Nordic Architecture's (Stifling) Comfort Zone

By James Taylor-Foster