The PIN–UP Museum Issue! In this first in a series of guest-edited issues, curators Fredi Fischli and Niels Olsen pose two essential questions: is The Museum a space that can nurture and inspire the imagination; or is it a place of ruin where objects go to die? In other words: is it necessary? Or should the museum go away? Find out more on 208 beautifully designed pages, including nine collectible covers featuring Martine Syms, Carrie Mae Weems, Smiljan Radić, Itusko Hasegawa, and more. Museum-worthy.
video
PIN–UP AND CCA EXCLUSIVE: STREAMING ”INTO THE ISLAND”
by PIN–UP
Story
PUTTING THINGS TOGETHER: THE ART OF DE PADOVA
by Julie Klein
Interview
A CONVERSATION WITH MARIAM ISSOUFOU AND ADAM CARUSO
by Fredi Fischli and Niels Olsen
video
PIN–UP SMELL EDITION
by PIN–UP
The artist and researcher Sissel Tolaas collaborated with PIN–UP to create a unique, collectible Smell Edition.
Tolaas introduces her concept of a “content hack,” featuring a fragrant sticker system dispersed throughout the magazine.
Interview
AN INTERVIEW WITH SPACE PRINCE JULIO TORRES
by Ryan Treat Miller
Interview
FRANCESCO VEZZOLI‘S SET FOR LIFE
by Sofia Pia Belenky
Story
TRAILING HOMOEROTICISM ALONG THE URBAN SITE
by Alejandro Carrion
Construction is not just about physical structures; it’s about the intangible spaces we inhabit — the realms of imagination, creativity, and possibility. It’s about those who dare to challenge the status quo and redefine the boundaries of what is possible. This issue is by and about those whose minds are perpetually building.
Story
SPECIAL EDITION PIN–UP 36: UNDER CONSTRUCTION
by PIN–UP
Interview
HERZOG & DE MEURON’S COMMUNITY-BUILDING ART SPACES
by Felix Burrichter
Interview
FREE RADICALS: BB’S FABRIZIO BALLABIO AND ALESSANDRO BAVA
by Federico Sargentone
Interview
INTERVIEW WITH ANUPAMA KUNDOO
by Victoria Camblin
Story
URBAN JUNGLE GYM WITH SCAFFOLDING
by Frank Nesbitt
The word “environment” is often used in the same breath as sustainability, efficiency, and greenhouse gas emissions. An expanded definition of environments evokes a more profound sense of consciousness in the spaces in which we find ourselves; the objects and rituals we use as forms or tools of communication; and the terms of hierarchy — architectural and beyond. Our environments aren’t just the spaces we take up or the ones that surround us as the seasons change — they’re everything we see, say, and do.
The word “environment” is often used in the same breath as sustainability, efficiency, and greenhouse gas emissions. An expanded definition of environments evokes a more profound sense of consciousness in the spaces in which we find ourselves; the objects and rituals we use as forms or tools of communication; and the terms of hierarchy — architectural and beyond. Our environments aren’t just the spaces we take up or the ones that surround us as the seasons change — they’re everything we see, say, and do.
Story
DESIGN DRAFTS #2
by PIN–UP
Interview
CHAMPION OF REASON: EMILIO AMBASZ IS HERE
by Michael Bullock
Interview
MOVEMENT IN THE METAVERSE: AN INTERVIEW WITH (LA)HORDE
by Jesse Seegers
Story
TASHKENT MODERNISM: THE INVENTION OF THE SOVIET EAST
by Philipp Hindahl
Story
PHILIPPE MALOUIN CREATES HIS FIRST LAMP FOR FLOS
by Nicholas Korody
Interview
BEADED CURTAINS, FAMILY LEGACIES, AND THE POLITICS OF IMAGE-MAKING
by Natalia Torija Nieto
It all comes back to the body, right? Over the past decades, the conversation about human bodies has shifted through spaces, vocabularies, and theories. In this issue, PIN–UP dresses down the human form and its politics to examine a moment that, for a long time now, has been considered through the vehicle of architecture. We hope to create new points of reference through intimate conversations and posits of self-reflection.
Story
THE NEW IMAGE OF SOLAR ENERGY, FROM TARIFFS AND TESLA TO AKON AND BIG BROTHER
by Whitney Mallett
Interview
MARTINO GAMPER AND MAX LAMB
by Emmanuel Olunkwa
It all comes back to the body, right? Over the past decades, the conversation about human bodies has shifted through spaces, vocabularies, and theories. In this issue, PIN–UP dresses down the human form and its politics to examine a moment that, for a long time now, has been considered through the vehicle of architecture. We hope to create new points of reference through intimate conversations and posits of self-reflection.