PU18 Cover — Photographed by Johann Clausen with Daniel Sannwald

PIN–UP 18

PU18 — PIN–UP Board: Mame-Diarra NiangPU18 — PIN–UP Board: Ottoman Empire photographed by Vincent DilioPU18 — Patio Party by Fausto FantinuoliPU18 — David AdjayePU18 — David AdjayePU18 — Tatiana BilbaoPU18 — Kunlé AdeyemiPU18 — SO–IL (Florian Idenburg and Jing Liu)PU18 — SO–IL PU18 — Villa Além by Valerio OlgiatiPU18 — Into the Blue by Johann Clausen with Daniel SannwaldPU18 — Into the Blue by Johann Clausen with Daniel SannwaldPU18 — Into the Blue by Johann Clausen with Daniel SannwaldPU18 — Miguel FisacPU18 — Video Paradise by Justin BerryPU18 — Island Life by DISPU18 — The Designs of Stephen BurksPU18 — Carnet d'Afrique by Iwan Baan (Mali)PU18 — Carnet d'Afrique by Iwan Baan (Rwanda, Burundi)PU18 — Carnet d'Afrique by Iwan Baan (Zambia, Mozambique)PU18 — Carnet d'Afrique by Iwan Baan (Côte d'Ivoire)PU18 — Carnet d'Afrique by Iwan Baan (Nigeria)PU18 — Carnet d'Afrique by Iwan Baan (Mozambique)PU18 — Carnet d'Afrique by Iwan Baan (Zambia)PU18 — Carnet d'Afrique by Iwan Baan (Uganda, Kenya)

Featuring:

DAVID ADJAYE
The Worldly Londoner Is Reviving the Language of Modern Architecture
Interview by Shumi Bose
Portraits by Andreas Larsson

TATIANA BILBAO
The Masterly Mexican Architect Is Becoming the Face of Humanist Sustainability
Interview by Mimi Zeiger
Portraits by Therese + Joel

KUNLÉ ADEYEMI
Nigeria’s Prodigal Son Is Buoyed By His Love of Water, Africa, and Teaching
Interview by Andrew Ayers
Portraits by Robin de Puy

SO–IL
Two Multinational Modernists From Brooklyn Embrace Bad Taste. Sort Of.
Interview by Stephen Froese
Portraits by Jeremy Liebman

PLUS: A 48-page photographic journey from West to East to Southern Africa with Iwan Baan

ALSO IN THE ISSUE: A photographic meditation on the color blue by photographer Johann Clausen with Daniel Sannwald; designer Stephen Burks’ narrative objects; Spanish architect Miguel Fisac’s seriously playful Modernist adaptations; DIS collective’s surreal showroom performance at the New Museum Biennial; architect Valerio Olgiati’s neo-brutalist holiday home in Portugal; artist Justin Berry’s unsettling virtual landscapes; artist Mame Diarra-Niang’s photographic analysis of home country Senegal; a celebration of Pierre Paulin’s design legacy; kissing Columbus, Indiana awake with the help of Jonathan Hale Nesci; tracing Atang Tshikare’s evolving compositions; Spanish architecture duo Selgas Cano, who do more with less; Frida Escodebo’s sedimentary architecture; the potential of fire with ceramicist Anders Ruhwald; as well as a visit to the recently opened Museum of Shit near Milan, designed by Luca Cipelletti.  And essays by Alessandro Bava on Tropical Architecture and Koyo Kouoh on the multiple forms of designing the social in Africa.